5. Didactic Strategies for the Development of Professional Musical Hearing

This study suggests an incursion into the issue of the development of professional musical hearing, which is divided into three major sections. Starting from the general to the particular, this approach starts with defining the field of reference - musical hearing, seen as a prerequisite in the trai...

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Main Author: Duţică Luminiţa
Format: Article
Language:English
Published: Sciendo 2016-03-01
Series:Review of Artistic Education
Subjects:
Online Access:https://doi.org/10.1515/rae-2016-0005
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author Duţică Luminiţa
author_facet Duţică Luminiţa
author_sort Duţică Luminiţa
collection DOAJ
description This study suggests an incursion into the issue of the development of professional musical hearing, which is divided into three major sections. Starting from the general to the particular, this approach starts with defining the field of reference - musical hearing, seen as a prerequisite in the training of future artists. Closely related to the curricula and textbooks from the pre-university vocational education, the subject Music Theory - Solfeggio - Dictation holds the conceptual and pragmatic frame on the basis of which we offered different solutions for the development of musical hearing. In this respect, I focused my research on the following typologies: melodic, polyphonic, harmonic, dynamic, timbral, with particular reference to the formation of internal hearing and sense of rhythm.
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spelling doaj.art-9c9ca537960d4ea5839f024d44a6676d2022-12-21T22:38:00ZengSciendoReview of Artistic Education2501-238X2016-03-01111425210.1515/rae-2016-0005rae-2016-00055. Didactic Strategies for the Development of Professional Musical HearingDuţică Luminiţa0Associate Professor PhD, „George Enescu” University of Arts from Iaşi of RomaniaThis study suggests an incursion into the issue of the development of professional musical hearing, which is divided into three major sections. Starting from the general to the particular, this approach starts with defining the field of reference - musical hearing, seen as a prerequisite in the training of future artists. Closely related to the curricula and textbooks from the pre-university vocational education, the subject Music Theory - Solfeggio - Dictation holds the conceptual and pragmatic frame on the basis of which we offered different solutions for the development of musical hearing. In this respect, I focused my research on the following typologies: melodic, polyphonic, harmonic, dynamic, timbral, with particular reference to the formation of internal hearing and sense of rhythm.https://doi.org/10.1515/rae-2016-0005musical hearingnative predispositionssyllabusmusic theorydidactic strategies
spellingShingle Duţică Luminiţa
5. Didactic Strategies for the Development of Professional Musical Hearing
Review of Artistic Education
musical hearing
native predispositions
syllabus
music theory
didactic strategies
title 5. Didactic Strategies for the Development of Professional Musical Hearing
title_full 5. Didactic Strategies for the Development of Professional Musical Hearing
title_fullStr 5. Didactic Strategies for the Development of Professional Musical Hearing
title_full_unstemmed 5. Didactic Strategies for the Development of Professional Musical Hearing
title_short 5. Didactic Strategies for the Development of Professional Musical Hearing
title_sort 5 didactic strategies for the development of professional musical hearing
topic musical hearing
native predispositions
syllabus
music theory
didactic strategies
url https://doi.org/10.1515/rae-2016-0005
work_keys_str_mv AT duticaluminita 5didacticstrategiesforthedevelopmentofprofessionalmusicalhearing