Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates

This paper explores the benefits and possibilities of using recorded sound as a tool for expressing the stories behind photographs for archival purposes through an ethnographic study of Lest We Forget (LWF), a grassroots initiative that documents and explores cultural memory pertaining to the United...

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Main Author: Diana Chester
Format: Article
Language:English
Published: SAGE Publishing 2022-11-01
Series:Methodological Innovations
Online Access:https://doi.org/10.1177/20597991221129794
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author Diana Chester
author_facet Diana Chester
author_sort Diana Chester
collection DOAJ
description This paper explores the benefits and possibilities of using recorded sound as a tool for expressing the stories behind photographs for archival purposes through an ethnographic study of Lest We Forget (LWF), a grassroots initiative that documents and explores cultural memory pertaining to the United Arab Emirates. The goals of this paper are to further the dialogue about the value of transdisciplinary research toward the end of greater preservation and sustainability of cultural heritage; and to make an argument about the value of community members creatively responding to photographs, and archival materials from their own culture, using sound. What I have found is that creative response is a theory of knowledge that allows a community to retain ownership of their heritage and their imagination of the past, present, and future, and an emerging methodological process that, when used, ensures a living archive.
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spelling doaj.art-9ca6572701bf4fbc9ea20fd128dba42f2022-12-22T04:12:02ZengSAGE PublishingMethodological Innovations2059-79912022-11-011510.1177/20597991221129794Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab EmiratesDiana Chester0Department of Media and Communications, The University of Sydney, Sydney, NSW, AustraliaThis paper explores the benefits and possibilities of using recorded sound as a tool for expressing the stories behind photographs for archival purposes through an ethnographic study of Lest We Forget (LWF), a grassroots initiative that documents and explores cultural memory pertaining to the United Arab Emirates. The goals of this paper are to further the dialogue about the value of transdisciplinary research toward the end of greater preservation and sustainability of cultural heritage; and to make an argument about the value of community members creatively responding to photographs, and archival materials from their own culture, using sound. What I have found is that creative response is a theory of knowledge that allows a community to retain ownership of their heritage and their imagination of the past, present, and future, and an emerging methodological process that, when used, ensures a living archive.https://doi.org/10.1177/20597991221129794
spellingShingle Diana Chester
Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
Methodological Innovations
title Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
title_full Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
title_fullStr Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
title_full_unstemmed Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
title_short Using creative response to sonically translate vernacular photography: The Lest We Forget project in the United Arab Emirates
title_sort using creative response to sonically translate vernacular photography the lest we forget project in the united arab emirates
url https://doi.org/10.1177/20597991221129794
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