Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario

This essay is a reflection on how Fernando de Rojas expresses himself through Celestina’s voice. The thesis is that he used the Medieval misogynistic tradition, which was didactic, as an excuse for his only objective: to create a harsh critic against the old Christian society. For this purpose, he u...

Full description

Bibliographic Details
Main Author: Beatriz Calvo Peña
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/20019
_version_ 1797333435273969664
author Beatriz Calvo Peña
author_facet Beatriz Calvo Peña
author_sort Beatriz Calvo Peña
collection DOAJ
description This essay is a reflection on how Fernando de Rojas expresses himself through Celestina’s voice. The thesis is that he used the Medieval misogynistic tradition, which was didactic, as an excuse for his only objective: to create a harsh critic against the old Christian society. For this purpose, he uses typical converso techniques, such as irony, and his own strategy: the use of «palabras preñadas» (those called «bivocal words» by Bajtin, which consist of the fusion of two consciences in  one  voice.) This essay considers honra and remedio as the main «palabras preñadas». From their analysis it is possible to unravel the author’s subversive objective. Rojas voice is identified with Celestina’s voice and the old whore will be viewed as the absolute protagonist and as the ideal historical subject for Rojas' effective and concealed social satire.
first_indexed 2024-03-08T08:03:46Z
format Article
id doaj.art-9cbbae3ecda94c8da117271eab4f9144
institution Directory Open Access Journal
issn 0147-3085
2695-7183
language English
last_indexed 2024-03-08T08:03:46Z
publishDate 2021-01-01
publisher Universidad de Valencia, Departamento de Filología Española
record_format Article
series Celestinesca
spelling doaj.art-9cbbae3ecda94c8da117271eab4f91442024-02-02T11:31:03ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-01270436010.7203/Celestinesca.27.2001914624Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literarioBeatriz Calvo PeñaThis essay is a reflection on how Fernando de Rojas expresses himself through Celestina’s voice. The thesis is that he used the Medieval misogynistic tradition, which was didactic, as an excuse for his only objective: to create a harsh critic against the old Christian society. For this purpose, he uses typical converso techniques, such as irony, and his own strategy: the use of «palabras preñadas» (those called «bivocal words» by Bajtin, which consist of the fusion of two consciences in  one  voice.) This essay considers honra and remedio as the main «palabras preñadas». From their analysis it is possible to unravel the author’s subversive objective. Rojas voice is identified with Celestina’s voice and the old whore will be viewed as the absolute protagonist and as the ideal historical subject for Rojas' effective and concealed social satire.https://ojs.uv.es/index.php/celestinesca/article/view/20019celestinaputa viejapersonaje históricomisoginia
spellingShingle Beatriz Calvo Peña
Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
Celestinesca
celestina
puta vieja
personaje histórico
misoginia
title Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
title_full Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
title_fullStr Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
title_full_unstemmed Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
title_short Las estrategias de Rojas: de cómo una «puta vieja» se convierte en sujeto histórico y literario
title_sort las estrategias de rojas de como una puta vieja se convierte en sujeto historico y literario
topic celestina
puta vieja
personaje histórico
misoginia
url https://ojs.uv.es/index.php/celestinesca/article/view/20019
work_keys_str_mv AT beatrizcalvopena lasestrategiasderojasdecomounaputaviejaseconvierteensujetohistoricoyliterario