Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego»
The book by Magdalena Hasiuk is the first monograph of Polish prison theatre. The author presents the theatrical work carried on in Polish prisons today against a broad historical background (starting with the gladiator fights, through acts of public executions and punishments, up to the 20th-centur...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Institute of Art of the Polish Academy of Sciences
2016-09-01
|
| Series: | Pamiętnik Teatralny |
| Subjects: | |
| Online Access: | https://czasopisma.ispan.pl/index.php/pt/article/view/2110 |
| _version_ | 1797323122565709824 |
|---|---|
| author | Anna Chojnacka |
| author_facet | Anna Chojnacka |
| author_sort | Anna Chojnacka |
| collection | DOAJ |
| description | The book by Magdalena Hasiuk is the first monograph of Polish prison theatre. The author presents the theatrical work carried on in Polish prisons today against a broad historical background (starting with the gladiator fights, through acts of public executions and punishments, up to the 20th-century penitentiary system reform) and within a rich geographical context (the United States, Great Britain, France, and Italy). By describing and analysing the phenomenon, Hasiuk presents the world of isolation, the problems and emotions of inmates. She pays much attention to women leaders of prison theatre. She believes that the penal institutions have been changing thanks to their presence. The author deems the therapeutic role of prison theatre to be its most essential aspect, but her research goes further than that. She refers not only to psychological and sociological theories, but also to the work of cultural scholars, theatre theoreticians, and artists. She compares the experience of incarceration and later release from prison to a ritual. She finds traces of the theories and theatre practice of Brook and Grotowski. She shows how the new media are utilised in prison theatre performances. She finds common features of three different social institutions: the convent, the theatre, and the prison. She describes the stage and the prison alike as a space full of locked doors, restrictions that need to be overcome. The motif of crossing the boundaries permeates the whole book. The inmates, leaders, and viewers are all the ones crossing such physical and internal boundaries. |
| first_indexed | 2024-03-08T05:24:08Z |
| format | Article |
| id | doaj.art-9cd93cfa250f4eec9f3830d177e91935 |
| institution | Directory Open Access Journal |
| issn | 0031-0522 2658-2899 |
| language | English |
| last_indexed | 2024-03-08T05:24:08Z |
| publishDate | 2016-09-01 |
| publisher | Institute of Art of the Polish Academy of Sciences |
| record_format | Article |
| series | Pamiętnik Teatralny |
| spelling | doaj.art-9cd93cfa250f4eec9f3830d177e919352024-02-06T12:39:48ZengInstitute of Art of the Polish Academy of SciencesPamiętnik Teatralny0031-05222658-28992016-09-0165320821710.36744/pt.21102968Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego»Anna Chojnacka0https://orcid.org/0000-0001-5174-4155Instytut Sztuki, Polska Akademia NaukThe book by Magdalena Hasiuk is the first monograph of Polish prison theatre. The author presents the theatrical work carried on in Polish prisons today against a broad historical background (starting with the gladiator fights, through acts of public executions and punishments, up to the 20th-century penitentiary system reform) and within a rich geographical context (the United States, Great Britain, France, and Italy). By describing and analysing the phenomenon, Hasiuk presents the world of isolation, the problems and emotions of inmates. She pays much attention to women leaders of prison theatre. She believes that the penal institutions have been changing thanks to their presence. The author deems the therapeutic role of prison theatre to be its most essential aspect, but her research goes further than that. She refers not only to psychological and sociological theories, but also to the work of cultural scholars, theatre theoreticians, and artists. She compares the experience of incarceration and later release from prison to a ritual. She finds traces of the theories and theatre practice of Brook and Grotowski. She shows how the new media are utilised in prison theatre performances. She finds common features of three different social institutions: the convent, the theatre, and the prison. She describes the stage and the prison alike as a space full of locked doors, restrictions that need to be overcome. The motif of crossing the boundaries permeates the whole book. The inmates, leaders, and viewers are all the ones crossing such physical and internal boundaries.https://czasopisma.ispan.pl/index.php/pt/article/view/2110prison theaterdrama therapyrehabititationtheatre of the oppressed |
| spellingShingle | Anna Chojnacka Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» Pamiętnik Teatralny prison theater drama therapy rehabititation theatre of the oppressed |
| title | Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» |
| title_full | Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» |
| title_fullStr | Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» |
| title_full_unstemmed | Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» |
| title_short | Recenzja książki Magdaleny Hasiuk «Okrutnie dziwna strona świata: Wokół teatru więziennego» |
| title_sort | recenzja ksiazki magdaleny hasiuk okrutnie dziwna strona swiata wokol teatru wieziennego |
| topic | prison theater drama therapy rehabititation theatre of the oppressed |
| url | https://czasopisma.ispan.pl/index.php/pt/article/view/2110 |
| work_keys_str_mv | AT annachojnacka recenzjaksiazkimagdalenyhasiukokrutniedziwnastronaswiatawokołteatruwieziennego |