In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language
This paper defends an evaluation of Bartók’s music based on analytical procedures that use abstract theoretical concepts instead of, as advocate some scholars like László Somfai, restrict it to the scrutiny of compositional sketches and ethnomusicological influences. The analytical contributions of...
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| Format: | Article |
| Language: | English |
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Associação Brasileira de Teoria e Análise Musical
2016-08-01
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| Series: | Musica Theorica |
| Online Access: | https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/1 |
| _version_ | 1797835833714147328 |
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| author | Elliott Antokoletz |
| author_facet | Elliott Antokoletz |
| author_sort | Elliott Antokoletz |
| collection | DOAJ |
| description |
This paper defends an evaluation of Bartók’s music based on analytical procedures that use abstract theoretical concepts instead of, as advocate some scholars like László Somfai, restrict it to the scrutiny of compositional sketches and ethnomusicological influences. The analytical contributions of Roy Travis, Malcolm Gillies, Erno Lendvai, János Kárpáti, Colin Mason, Allen Forte and Richard Cohn, among others, are evaluated in order to introduce an original model that proposes a nontraditional tonal system based on the interval cycles and inversional symmetry, following some of George Perle’s propositions.
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| first_indexed | 2024-04-09T14:59:47Z |
| format | Article |
| id | doaj.art-9d3b5c208a1c4406bcae6d1caaf7d0e5 |
| institution | Directory Open Access Journal |
| issn | 2525-5541 |
| language | English |
| last_indexed | 2024-04-09T14:59:47Z |
| publishDate | 2016-08-01 |
| publisher | Associação Brasileira de Teoria e Análise Musical |
| record_format | Article |
| series | Musica Theorica |
| spelling | doaj.art-9d3b5c208a1c4406bcae6d1caaf7d0e52023-05-01T22:21:42ZengAssociação Brasileira de Teoria e Análise MusicalMusica Theorica2525-55412016-08-011110.52930/mt.v1i1.1In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical LanguageElliott Antokoletz0University of Texas at Austin (UT) This paper defends an evaluation of Bartók’s music based on analytical procedures that use abstract theoretical concepts instead of, as advocate some scholars like László Somfai, restrict it to the scrutiny of compositional sketches and ethnomusicological influences. The analytical contributions of Roy Travis, Malcolm Gillies, Erno Lendvai, János Kárpáti, Colin Mason, Allen Forte and Richard Cohn, among others, are evaluated in order to introduce an original model that proposes a nontraditional tonal system based on the interval cycles and inversional symmetry, following some of George Perle’s propositions. https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/1 |
| spellingShingle | Elliott Antokoletz In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language Musica Theorica |
| title | In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language |
| title_full | In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language |
| title_fullStr | In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language |
| title_full_unstemmed | In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language |
| title_short | In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language |
| title_sort | in defense of theory and analysis a critical evaluation of the discipline and its application to bartok s musical language |
| url | https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/1 |
| work_keys_str_mv | AT elliottantokoletz indefenseoftheoryandanalysisacriticalevaluationofthedisciplineanditsapplicationtobartoksmusicallanguage |