La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga

In The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the sam...

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Main Author: Enrico Di Pastena
Format: Article
Language:English
Published: Babes-Bolyai University, Cluj-Napoca 2023-06-01
Series:Caietele Echinox
Subjects:
Online Access:http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2023/06/CaieteEchinox44-2023-p.350-371.pdf
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author Enrico Di Pastena
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description In The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the same time translates it into practice through its own architecture. The map and the human body become there means of resistance to the impositions of History and vehicles of a memory that strives to save a part of the past and which allows to look at it with a renewed gaze and as an invisible part of the present.
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spelling doaj.art-9dd37d8408734840b46678ce341c6bfa2023-09-12T12:21:23ZengBabes-Bolyai University, Cluj-NapocaCaietele Echinox1582-960X2023-06-014435037110.24193/cechinox.2023.44.24La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan MayorgaEnrico Di Pastena0Università di Pisa, ItaliaIn The Cartographer, the playwright Juan Mayorga recovers for the present, and in an original and oblique way, some of the events that took place in the Warsaw ghetto in the first half of the 1940s. The piece makes explicit a parallelism between cartographic art and theatrical writing and at the same time translates it into practice through its own architecture. The map and the human body become there means of resistance to the impositions of History and vehicles of a memory that strives to save a part of the past and which allows to look at it with a renewed gaze and as an invisible part of the present.http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2023/06/CaieteEchinox44-2023-p.350-371.pdfcontemporary spanish theaterjuan mayorgashoah in theatermemorywalter benjamin
spellingShingle Enrico Di Pastena
La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
Caietele Echinox
contemporary spanish theater
juan mayorga
shoah in theater
memory
walter benjamin
title La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
title_full La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
title_fullStr La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
title_full_unstemmed La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
title_short La mappa e il corpo come veicoli di memoria: una rilettura del Cartografo. Varsavia 1:400.000, di Juan Mayorga
title_sort la mappa e il corpo come veicoli di memoria una rilettura del cartografo varsavia 1 400 000 di juan mayorga
topic contemporary spanish theater
juan mayorga
shoah in theater
memory
walter benjamin
url http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2023/06/CaieteEchinox44-2023-p.350-371.pdf
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