A ironia ovidiana na subversão do protocolo amoroso em Roma

A less attentive reading of The Art of Love by Ovid may suggest that the poet framed his manual on the science of love within the social codes of his time, which subordinated woman to man and made her merely an object of male desire and pleasure, as well as a kind of reproductive apparatus. A closer...

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Main Author: Carlos Ascenso André
Format: Article
Language:English
Published: Centro de Estudos Sociais da Universidade de Coimbra 2010-06-01
Series:Revista Crítica de Ciências Sociais
Subjects:
Online Access:http://journals.openedition.org/rccs/3672
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author Carlos Ascenso André
author_facet Carlos Ascenso André
author_sort Carlos Ascenso André
collection DOAJ
description A less attentive reading of The Art of Love by Ovid may suggest that the poet framed his manual on the science of love within the social codes of his time, which subordinated woman to man and made her merely an object of male desire and pleasure, as well as a kind of reproductive apparatus. A closer reading enables us to reach very different conclusions: the text acknowledges woman’s right to pleasure, to choose (or reject) her partner and to betray him, and it even defends mutual and simultaneous pleasure as one of the aims of the sexual act. This article aims to demonstrate this subversion of the “protocol of love” in Rome, discernible in The Loves and evident in The Heroines – the first book of poems by a male author with a female poetic subject – and also in the Cure for Love, a subtly ironic book concealing recognition of the primordial role of woman in relations between the sexes.
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spelling doaj.art-9de6290d1d2c4bc39312c01f1bac617c2022-12-22T00:53:53ZengCentro de Estudos Sociais da Universidade de CoimbraRevista Crítica de Ciências Sociais0254-11062182-74352010-06-0189415410.4000/rccs.3672A ironia ovidiana na subversão do protocolo amoroso em RomaCarlos Ascenso AndréA less attentive reading of The Art of Love by Ovid may suggest that the poet framed his manual on the science of love within the social codes of his time, which subordinated woman to man and made her merely an object of male desire and pleasure, as well as a kind of reproductive apparatus. A closer reading enables us to reach very different conclusions: the text acknowledges woman’s right to pleasure, to choose (or reject) her partner and to betray him, and it even defends mutual and simultaneous pleasure as one of the aims of the sexual act. This article aims to demonstrate this subversion of the “protocol of love” in Rome, discernible in The Loves and evident in The Heroines – the first book of poems by a male author with a female poetic subject – and also in the Cure for Love, a subtly ironic book concealing recognition of the primordial role of woman in relations between the sexes.http://journals.openedition.org/rccs/3672loveironyliteraturewomenOvidgender relations
spellingShingle Carlos Ascenso André
A ironia ovidiana na subversão do protocolo amoroso em Roma
Revista Crítica de Ciências Sociais
love
irony
literature
women
Ovid
gender relations
title A ironia ovidiana na subversão do protocolo amoroso em Roma
title_full A ironia ovidiana na subversão do protocolo amoroso em Roma
title_fullStr A ironia ovidiana na subversão do protocolo amoroso em Roma
title_full_unstemmed A ironia ovidiana na subversão do protocolo amoroso em Roma
title_short A ironia ovidiana na subversão do protocolo amoroso em Roma
title_sort ironia ovidiana na subversao do protocolo amoroso em roma
topic love
irony
literature
women
Ovid
gender relations
url http://journals.openedition.org/rccs/3672
work_keys_str_mv AT carlosascensoandre aironiaovidiananasubversaodoprotocoloamorosoemroma
AT carlosascensoandre ironiaovidiananasubversaodoprotocoloamorosoemroma