La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film

In 1989 was released the cinematographic adaptation of Ennio Flaiano’s novel (1947) Tempo di uccidere (Time to kill) directed by Giuliano Montaldo. This contribution analyses the narratological features of the two versions, showing how in the medial switch the critical sight on Italian colonialis...

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Main Author: Lilli, Silvia
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2022-12-01
Series:Il Tolomeo
Subjects:
Online Access:http://doi.org/10.30687/Tol/2499-5975/2022/01/012
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author Lilli, Silvia
author_facet Lilli, Silvia
author_sort Lilli, Silvia
collection DOAJ
description In 1989 was released the cinematographic adaptation of Ennio Flaiano’s novel (1947) Tempo di uccidere (Time to kill) directed by Giuliano Montaldo. This contribution analyses the narratological features of the two versions, showing how in the medial switch the critical sight on Italian colonialism of the novel is turned to a shallow tale where is instead enforced the traditional view of white male superiority, due to the loss of the inner focus, the misread representation of characters, and the underestimation of episodes which served in the book to undermine colonizer’s self-sight and disclose the identity crisis of the following chapters.
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spelling doaj.art-9e666a05074f4a5ab412958b7d6ac2512024-08-03T06:30:52ZengFondazione Università Ca’ FoscariIl Tolomeo2499-59752022-12-0124110.30687/Tol/2499-5975/2022/01/012journal_article_9700La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al filmLilli, Silvia0 Università di Roma «Tor Vergata», Italia In 1989 was released the cinematographic adaptation of Ennio Flaiano’s novel (1947) Tempo di uccidere (Time to kill) directed by Giuliano Montaldo. This contribution analyses the narratological features of the two versions, showing how in the medial switch the critical sight on Italian colonialism of the novel is turned to a shallow tale where is instead enforced the traditional view of white male superiority, due to the loss of the inner focus, the misread representation of characters, and the underestimation of episodes which served in the book to undermine colonizer’s self-sight and disclose the identity crisis of the following chapters. http://doi.org/10.30687/Tol/2499-5975/2022/01/012Cinematography. Cultural difference. Ennio Flaiano. Narrativity. Postcolonialism. Transmediality
spellingShingle Lilli, Silvia
La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
Il Tolomeo
Cinematography. Cultural difference. Ennio Flaiano. Narrativity. Postcolonialism. Transmediality
title La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
title_full La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
title_fullStr La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
title_full_unstemmed La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
title_short La banalizzazione dello sguardo: Tempo di uccidere dal romanzo al film
title_sort la banalizzazione dello sguardo tempo di uccidere dal romanzo al film
topic Cinematography. Cultural difference. Ennio Flaiano. Narrativity. Postcolonialism. Transmediality
url http://doi.org/10.30687/Tol/2499-5975/2022/01/012
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