| Summary: | The critics charge has been examining the work of Liendo from various places of reading. Specifically in the present case, it has warned that dishes Devil, the author constructs a narrative universe from neighboring police novel strategies or to metaliterary; however, the purpose of this article is precisely from various possibilities of understanding arising from the process of rereading, explore unprecedented routes to conceive the text, now seen as novel artist whose perspective not only allows us to configure ourselves a new dimension of character artist but, we can see in ideological evolution, different conceptions beyond modernism, have emerged from the artist-society triad relational art. We have three radical changes: art as a means of social promotion, alienation from society bearable and artist as testimony to an existential precariousness and creative justified by careerism, envy and infamous.
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