Beyond the Black Atlantic: Pacific Rebellions and the Gothic in Herman Melville’s “Benito Cereno”
While previous investigations of the black-white racial dichotomy in Herman Melville’s “Benito Cereno” have taught us an incalculable amount, paying attention to the complex modalities of Orientalism, rebellion, and transpacific migration in the novella makes even more relevant previous analyses of...
Main Author: | Colleen Tripp |
---|---|
Format: | Article |
Language: | English |
Published: |
eScholarship Publishing, University of California
2017-10-01
|
Series: | Journal of Transnational American Studies |
Subjects: | |
Online Access: | http://escholarship.org/uc/item/5k00f4gh |
Similar Items
-
HERMAN MELVILLE’S “BENITO CERENO” AND THE SUBVERSION OF THE SLAVERY IDEOLOGY
by: Roxana MIHELE
Published: (2019-03-01) -
Construction of Whiteness and Blackness in Herman Melville’s Benito Cereno
by: Klara Szmańko
Published: (2020-12-01) -
Re-Writing Race in Early American New Orleans
by: Nathalie Dessens
Published: (2011-11-01) -
Melville’s Obsessional Form: Disjunction and Refusal in “Benito Cereno”
by: Matthew Scully -
The Representation of African Americans in 12 Years A Slave and Antebellum Films
by: Ee Zhi Yuin, et al.
Published: (2023-03-01)