Making The Ballet of the Nations: Costumes and Production
Production designer Pam Tait speaks with Ella Margolin about the costumes and set design of Impermanence's The Ballet of the Nations. How did the specifics of Vernon Lee’s text and Maxwell Armfield’s illustrations influence the look and feel of Tait’s costumes, and how were aspects of visual cu...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Yale University
2019-03-01
|
| Series: | British Art Studies |
| Subjects: | |
| Online Access: | http://britishartstudies.ac.uk/issues/issue-index/issue-11/costume-production |
| _version_ | 1819000626943623168 |
|---|---|
| author | Pam Tait Ella Margolin |
| author_facet | Pam Tait Ella Margolin |
| author_sort | Pam Tait |
| collection | DOAJ |
| description | Production designer Pam Tait speaks with Ella Margolin about the costumes and set design of Impermanence's The Ballet of the Nations. How did the specifics of Vernon Lee’s text and Maxwell Armfield’s illustrations influence the look and feel of Tait’s costumes, and how were aspects of visual culture across different periods used to characterise the players? |
| first_indexed | 2024-12-20T22:36:19Z |
| format | Article |
| id | doaj.art-9f7d72c7ff4a43aab84236a919123a76 |
| institution | Directory Open Access Journal |
| issn | 2058-5462 |
| language | English |
| last_indexed | 2024-12-20T22:36:19Z |
| publishDate | 2019-03-01 |
| publisher | Yale University |
| record_format | Article |
| series | British Art Studies |
| spelling | doaj.art-9f7d72c7ff4a43aab84236a919123a762022-12-21T19:24:36ZengYale UniversityBritish Art Studies2058-54622019-03-011110.17658/issn.2058-5462/issue-11/costumesMaking The Ballet of the Nations: Costumes and ProductionPam TaitElla Margolin0University of BristolProduction designer Pam Tait speaks with Ella Margolin about the costumes and set design of Impermanence's The Ballet of the Nations. How did the specifics of Vernon Lee’s text and Maxwell Armfield’s illustrations influence the look and feel of Tait’s costumes, and how were aspects of visual culture across different periods used to characterise the players?http://britishartstudies.ac.uk/issues/issue-index/issue-11/costume-productioncostume designthe ballet of the nationsimpermanenceartists' filmvernon lee |
| spellingShingle | Pam Tait Ella Margolin Making The Ballet of the Nations: Costumes and Production British Art Studies costume design the ballet of the nations impermanence artists' film vernon lee |
| title | Making The Ballet of the Nations: Costumes and Production |
| title_full | Making The Ballet of the Nations: Costumes and Production |
| title_fullStr | Making The Ballet of the Nations: Costumes and Production |
| title_full_unstemmed | Making The Ballet of the Nations: Costumes and Production |
| title_short | Making The Ballet of the Nations: Costumes and Production |
| title_sort | making the ballet of the nations costumes and production |
| topic | costume design the ballet of the nations impermanence artists' film vernon lee |
| url | http://britishartstudies.ac.uk/issues/issue-index/issue-11/costume-production |
| work_keys_str_mv | AT pamtait makingtheballetofthenationscostumesandproduction AT ellamargolin makingtheballetofthenationscostumesandproduction |