Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps

Within times of war and U.S.-state-imposed guilt, Japanese American female characters in “The Legends of Miss Sasagawara” experience repeated status changes throughout World War II and the Japanese American imprisonment camps. The tense conflictual relations between U.S. authorities and the Nikkei (...

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Main Author: Petruş Raluca-Andreea
Format: Article
Language:English
Published: Sciendo 2023-12-01
Series:Gender Studies
Subjects:
Online Access:https://doi.org/10.2478/genst-2023-0033
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author Petruş Raluca-Andreea
author_facet Petruş Raluca-Andreea
author_sort Petruş Raluca-Andreea
collection DOAJ
description Within times of war and U.S.-state-imposed guilt, Japanese American female characters in “The Legends of Miss Sasagawara” experience repeated status changes throughout World War II and the Japanese American imprisonment camps. The tense conflictual relations between U.S. authorities and the Nikkei (Japanese diaspora in the United States) echo within the intra-Nikkei communities held in camps: branded as enemies by the state, Nikkei individuals re-segregate within camps, leading to a fractured communication and tribalist attitudes. The present paper investigates the silence-voice interplay of female characters in confinement narratives, as depicted by Hisaye Yamamoto in her literary rendering of the Japanese American imprisonment camps phenomenon. The historical context of the 1940s ruptures the communication inside the Nikkei community, especially concerning the female character Miss Mari Sasagawara, leading to misunderstandings, tribalism, and (self-)isolation.
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spelling doaj.art-9fe9d8d0311d4520bbe329f370fbc5a12024-01-02T11:35:11ZengSciendoGender Studies2286-01342023-12-01221385310.2478/genst-2023-0033Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment CampsPetruş Raluca-Andreea01West University of TimișoaraWithin times of war and U.S.-state-imposed guilt, Japanese American female characters in “The Legends of Miss Sasagawara” experience repeated status changes throughout World War II and the Japanese American imprisonment camps. The tense conflictual relations between U.S. authorities and the Nikkei (Japanese diaspora in the United States) echo within the intra-Nikkei communities held in camps: branded as enemies by the state, Nikkei individuals re-segregate within camps, leading to a fractured communication and tribalist attitudes. The present paper investigates the silence-voice interplay of female characters in confinement narratives, as depicted by Hisaye Yamamoto in her literary rendering of the Japanese American imprisonment camps phenomenon. The historical context of the 1940s ruptures the communication inside the Nikkei community, especially concerning the female character Miss Mari Sasagawara, leading to misunderstandings, tribalism, and (self-)isolation.https://doi.org/10.2478/genst-2023-0033hisaye yamamotojapanese american imprisonment campssilence-voice interplaythe legend of miss sasagawara
spellingShingle Petruş Raluca-Andreea
Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
Gender Studies
hisaye yamamoto
japanese american imprisonment camps
silence-voice interplay
the legend of miss sasagawara
title Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
title_full Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
title_fullStr Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
title_full_unstemmed Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
title_short Hisaye Yamamoto’s Silence-Voice Interplay in Japanese American Imprisonment Camps
title_sort hisaye yamamoto s silence voice interplay in japanese american imprisonment camps
topic hisaye yamamoto
japanese american imprisonment camps
silence-voice interplay
the legend of miss sasagawara
url https://doi.org/10.2478/genst-2023-0033
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