THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER

This paper composes the studies about the itinerant theater in the Rio Grande do Sul. It is looked, through the bibliographical research, to establish links that evidence the relations between the classic theater, consecrated for the critical one, and the theater mambembe‟, popular, that it visits s...

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Main Author: Elaine dos Santos
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2009-08-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/3333
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author Elaine dos Santos
author_facet Elaine dos Santos
author_sort Elaine dos Santos
collection DOAJ
description This paper composes the studies about the itinerant theater in the Rio Grande do Sul. It is looked, through the bibliographical research, to establish links that evidence the relations between the classic theater, consecrated for the critical one, and the theater mambembe‟, popular, that it visits small cities of the interior and presents modest spectacles that, however, represent one of the rare forms of diversion in those communities. One selected for the research the Theater of the Beb and the Theater of the Serelepe of property of the Benvenuto de Almeida family who, since 1962, travels for the interior of the Rio Grande do Sul, leading joy and diversion to the public.
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spelling doaj.art-a00ba1f46346488b8dc3a4e68e4d4de82022-12-21T17:59:58ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352009-08-01322996THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATERElaine dos SantosThis paper composes the studies about the itinerant theater in the Rio Grande do Sul. It is looked, through the bibliographical research, to establish links that evidence the relations between the classic theater, consecrated for the critical one, and the theater mambembe‟, popular, that it visits small cities of the interior and presents modest spectacles that, however, represent one of the rare forms of diversion in those communities. One selected for the research the Theater of the Beb and the Theater of the Serelepe of property of the Benvenuto de Almeida family who, since 1962, travels for the interior of the Rio Grande do Sul, leading joy and diversion to the public.http://e-revista.unioeste.br/index.php/travessias/article/view/3333teatrocirco-teatroteatro itineranteteatro do bebéteatro de lona serelepe.
spellingShingle Elaine dos Santos
THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
Travessias
teatro
circo-teatro
teatro itinerante
teatro do bebé
teatro de lona serelepe.
title THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
title_full THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
title_fullStr THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
title_full_unstemmed THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
title_short THE CLASSIC THEATER’S ORIGINS TO MAMBEMBE’S TRADITION: CONSIDERATIONS ABOUT THE ALMEIDA BENVENUTO FAMILY THEATER
title_sort classic theater s origins to mambembe s tradition considerations about the almeida benvenuto family theater
topic teatro
circo-teatro
teatro itinerante
teatro do bebé
teatro de lona serelepe.
url http://e-revista.unioeste.br/index.php/travessias/article/view/3333
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