Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale

Past studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-rec...

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Main Author: Michael Heyman
Format: Article
Language:English
Published: Cracow Tertium Society for the Promotion of Language Studies 2017-11-01
Series:The European Journal of Humour Research
Subjects:
Online Access:https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/178
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author Michael Heyman
author_facet Michael Heyman
author_sort Michael Heyman
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description Past studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-recognized writers of nonsense is Carl Sandburg, who is famous for his iconic American poetry, but his Rootabaga Stories (1922-30) are some of the best and most distinctive representatives of the genre. Sandburg’s nonsense short stories are lyrical and strange, but their value lies also in their distinctive American origins. They are distinguished in having particularly American themes, cultural tendencies, and geography, but also in their formal techniques, which hearken back to American folklore and the tall tale in particular, as in W. B. Laughead’s Paul Bunyan (1922).
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spelling doaj.art-a00c5cbe132f40de9ca5741a2d59d8882022-12-21T20:22:24ZengCracow Tertium Society for the Promotion of Language StudiesThe European Journal of Humour Research2307-700X2017-11-0153566710.7592/EJHR2017.5.3.heyman139Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall taleMichael Heyman0Berklee College of MusicPast studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-recognized writers of nonsense is Carl Sandburg, who is famous for his iconic American poetry, but his Rootabaga Stories (1922-30) are some of the best and most distinctive representatives of the genre. Sandburg’s nonsense short stories are lyrical and strange, but their value lies also in their distinctive American origins. They are distinguished in having particularly American themes, cultural tendencies, and geography, but also in their formal techniques, which hearken back to American folklore and the tall tale in particular, as in W. B. Laughead’s Paul Bunyan (1922).https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/178humournonsense literatureamerican
spellingShingle Michael Heyman
Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
The European Journal of Humour Research
humour
nonsense literature
american
title Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
title_full Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
title_fullStr Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
title_full_unstemmed Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
title_short Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
title_sort pigs pastures pepper pickers pitchforks carl sandburg s rootabaga stories and the tall tale
topic humour
nonsense literature
american
url https://www.europeanjournalofhumour.org/index.php/ejhr/article/view/178
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