Bandoneón’s explosive process in tango’s formatting
Explosive Process is the term used by Yuri Lotman to describe the qualitative changes that occur by introducing new information in a system of communication and culture, forcing it to restructure its semiotic layers. Unlikethe gradual processes, explosives are unexpected and, to some extent, untrans...
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| Format: | Article |
| Language: | English |
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Pontíficia Universidade Católica de São Paulo
2015-05-01
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| Series: | Galáxia |
| Subjects: | |
| Online Access: | https://revistas.pucsp.br/galaxia/article/view/20221 |
| _version_ | 1818926761931440128 |
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| author | Paulo Roberto Masella Lopes |
| author_facet | Paulo Roberto Masella Lopes |
| author_sort | Paulo Roberto Masella Lopes |
| collection | DOAJ |
| description | Explosive Process is the term used by Yuri Lotman to describe the qualitative changes that occur by introducing new information in a system of communication and culture, forcing it to restructure its semiotic layers. Unlikethe gradual processes, explosives are unexpected and, to some extent, untranslatable, expressing the condition of ambiguity of boundaries which accomplishes the translating function between the own and the stranger. In this paper, we seek to associate the stranger bandoneón to the explosive process that would have formatted the tango, assigning ita distinctive feature that remains today as a sign of tango. |
| first_indexed | 2024-12-20T03:02:16Z |
| format | Article |
| id | doaj.art-a026a95f57434f0faf06b87752821127 |
| institution | Directory Open Access Journal |
| issn | 1519-311X 1982-2553 |
| language | English |
| last_indexed | 2024-12-20T03:02:16Z |
| publishDate | 2015-05-01 |
| publisher | Pontíficia Universidade Católica de São Paulo |
| record_format | Article |
| series | Galáxia |
| spelling | doaj.art-a026a95f57434f0faf06b877528211272022-12-21T19:55:42ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532015-05-0102915753Bandoneón’s explosive process in tango’s formattingPaulo Roberto Masella LopesExplosive Process is the term used by Yuri Lotman to describe the qualitative changes that occur by introducing new information in a system of communication and culture, forcing it to restructure its semiotic layers. Unlikethe gradual processes, explosives are unexpected and, to some extent, untranslatable, expressing the condition of ambiguity of boundaries which accomplishes the translating function between the own and the stranger. In this paper, we seek to associate the stranger bandoneón to the explosive process that would have formatted the tango, assigning ita distinctive feature that remains today as a sign of tango.https://revistas.pucsp.br/galaxia/article/view/20221epistemologia da comunicaçãoestética musical |
| spellingShingle | Paulo Roberto Masella Lopes Bandoneón’s explosive process in tango’s formatting Galáxia epistemologia da comunicação estética musical |
| title | Bandoneón’s explosive process in tango’s formatting |
| title_full | Bandoneón’s explosive process in tango’s formatting |
| title_fullStr | Bandoneón’s explosive process in tango’s formatting |
| title_full_unstemmed | Bandoneón’s explosive process in tango’s formatting |
| title_short | Bandoneón’s explosive process in tango’s formatting |
| title_sort | bandoneon s explosive process in tango s formatting |
| topic | epistemologia da comunicação estética musical |
| url | https://revistas.pucsp.br/galaxia/article/view/20221 |
| work_keys_str_mv | AT paulorobertomasellalopes bandoneonsexplosiveprocessintangosformatting |