Historical views and viewpoints in Malaga until 1850

<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">As a documentary source, this research uses an important and little-known legacy of views of the city of Malaga and its surroundings, from the 16th century until the arrival of phot...

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Main Authors: Luís Ruiz-Padrón, Antonio Gámiz-Gordo
Format: Article
Language:English
Published: University of L'Aquila 2019-06-01
Series:Disegnare con
Subjects:
Online Access:https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/498
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author Luís Ruiz-Padrón
Antonio Gámiz-Gordo
author_facet Luís Ruiz-Padrón
Antonio Gámiz-Gordo
author_sort Luís Ruiz-Padrón
collection DOAJ
description <p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">As a documentary source, this research uses an important and little-known legacy of views of the city of Malaga and its surroundings, from the 16th century until the arrival of photography in the mid-19th century. Its intention is to promote knowledge of the urban landscape, considering its transformations through its images. Therefore, several drawings by fifteen authors have been selected and analysed: Wyngaerde (1564-67), Civitates Orbis Terrarum (1572), Beckman (1661) Carter (1772-1777), Swinburne (1775-1806), Laborde (1812), Roberts (1833-38), Vivian (1834-39), Dauzats (1835), Chapuy (1842-44), Tenison (1850-53), Vallejo (c. 1850), Schöpel &amp; Poyatos (1850), Guesdon (1853), Deroy (1850-1862). To interpret this graphic set for the first time, their points of view have been located at ten viewpoints, assessing their current status and visual interest. It has been found that the city of Malaga has been drawn from all directions and different distances to the urban centre. This is due to the fact that this territory forms a closed visual basin, delimited by a mountain barrier open to the sea from the South, with several hills of lower altitude and Mount Gibralfaro as a visual reference. In this way, a graphic approach is offered to a city with a complex topography and a rich network of crossed visual relationships reflected in historical images. Some viewpoints of Malaga have disappeared or have been transformed, but the whole constitutes valuable heritage that will allow future generations to continue enjoying unique views of the city and its landscape.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">DOI: <a href="https://doi.org/10.20365/disegnarecon.22.2019.21" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.22.2019.21</a><br /></span></p>
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spelling doaj.art-a057da654b7c4c01901a011ebc228ded2024-01-15T07:37:59ZengUniversity of L'AquilaDisegnare con1828-59612019-06-011222121250Historical views and viewpoints in Malaga until 1850Luís Ruiz-Padrón0Antonio Gámiz-Gordo1Universidad de SevillaUniversidad de Sevilla<p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">As a documentary source, this research uses an important and little-known legacy of views of the city of Malaga and its surroundings, from the 16th century until the arrival of photography in the mid-19th century. Its intention is to promote knowledge of the urban landscape, considering its transformations through its images. Therefore, several drawings by fifteen authors have been selected and analysed: Wyngaerde (1564-67), Civitates Orbis Terrarum (1572), Beckman (1661) Carter (1772-1777), Swinburne (1775-1806), Laborde (1812), Roberts (1833-38), Vivian (1834-39), Dauzats (1835), Chapuy (1842-44), Tenison (1850-53), Vallejo (c. 1850), Schöpel &amp; Poyatos (1850), Guesdon (1853), Deroy (1850-1862). To interpret this graphic set for the first time, their points of view have been located at ten viewpoints, assessing their current status and visual interest. It has been found that the city of Malaga has been drawn from all directions and different distances to the urban centre. This is due to the fact that this territory forms a closed visual basin, delimited by a mountain barrier open to the sea from the South, with several hills of lower altitude and Mount Gibralfaro as a visual reference. In this way, a graphic approach is offered to a city with a complex topography and a rich network of crossed visual relationships reflected in historical images. Some viewpoints of Malaga have disappeared or have been transformed, but the whole constitutes valuable heritage that will allow future generations to continue enjoying unique views of the city and its landscape.</span></p><p style="margin: 0cm 0cm 8pt;"><span style="font-family: Calibri; font-size: medium;">DOI: <a href="https://doi.org/10.20365/disegnarecon.22.2019.21" rel="noopener" target="_blank">https://doi.org/10.20365/disegnarecon.22.2019.21</a><br /></span></p>https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/498hhistorical viewsviewpointsmalaga
spellingShingle Luís Ruiz-Padrón
Antonio Gámiz-Gordo
Historical views and viewpoints in Malaga until 1850
Disegnare con
hhistorical views
viewpoints
malaga
title Historical views and viewpoints in Malaga until 1850
title_full Historical views and viewpoints in Malaga until 1850
title_fullStr Historical views and viewpoints in Malaga until 1850
title_full_unstemmed Historical views and viewpoints in Malaga until 1850
title_short Historical views and viewpoints in Malaga until 1850
title_sort historical views and viewpoints in malaga until 1850
topic hhistorical views
viewpoints
malaga
url https://disegnarecon.univaq.it/ojs/index.php/disegnarecon/article/view/498
work_keys_str_mv AT luisruizpadron historicalviewsandviewpointsinmalagauntil1850
AT antoniogamizgordo historicalviewsandviewpointsinmalagauntil1850