Mental Control in Musical Imagery: A Dual Component Model

Hearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiatio...

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Main Author: Katherine N. Cotter
Format: Article
Language:English
Published: Frontiers Media S.A. 2019-08-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/article/10.3389/fpsyg.2019.01904/full
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author Katherine N. Cotter
author_facet Katherine N. Cotter
author_sort Katherine N. Cotter
collection DOAJ
description Hearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiation, refers to whether the musical imagery experience began voluntarily or involuntarily. The second component, management, refers to instances of control that occur after the experience has begun (e.g., changing the song, stopping the experience). Given the complex nature of this inner experience, we propose a new model combining and integrating four literatures: lab-based auditory imagery research using musical stimuli; involuntary musical imagery; mental rehearsal and composition in musicians; and in vivo studies of musical imagery in everyday environments. These literatures support the contention that mental control of musical imagery is multi-faceted. Future research should investigate these two components of mental control and better integrate the diverse literatures on musical imagery.
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spelling doaj.art-a0594a4ccf9343eeb6ebde1b86b7c1352022-12-22T02:04:00ZengFrontiers Media S.A.Frontiers in Psychology1664-10782019-08-011010.3389/fpsyg.2019.01904474351Mental Control in Musical Imagery: A Dual Component ModelKatherine N. CotterHearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiation, refers to whether the musical imagery experience began voluntarily or involuntarily. The second component, management, refers to instances of control that occur after the experience has begun (e.g., changing the song, stopping the experience). Given the complex nature of this inner experience, we propose a new model combining and integrating four literatures: lab-based auditory imagery research using musical stimuli; involuntary musical imagery; mental rehearsal and composition in musicians; and in vivo studies of musical imagery in everyday environments. These literatures support the contention that mental control of musical imagery is multi-faceted. Future research should investigate these two components of mental control and better integrate the diverse literatures on musical imagery.https://www.frontiersin.org/article/10.3389/fpsyg.2019.01904/fullmusical imagerymental controlinvoluntary musical imageryauditory imageryconceptual analysis
spellingShingle Katherine N. Cotter
Mental Control in Musical Imagery: A Dual Component Model
Frontiers in Psychology
musical imagery
mental control
involuntary musical imagery
auditory imagery
conceptual analysis
title Mental Control in Musical Imagery: A Dual Component Model
title_full Mental Control in Musical Imagery: A Dual Component Model
title_fullStr Mental Control in Musical Imagery: A Dual Component Model
title_full_unstemmed Mental Control in Musical Imagery: A Dual Component Model
title_short Mental Control in Musical Imagery: A Dual Component Model
title_sort mental control in musical imagery a dual component model
topic musical imagery
mental control
involuntary musical imagery
auditory imagery
conceptual analysis
url https://www.frontiersin.org/article/10.3389/fpsyg.2019.01904/full
work_keys_str_mv AT katherinencotter mentalcontrolinmusicalimageryadualcomponentmodel