Looking at Patterns and Motifs

I take as my point of departure the various meanings of the Spanish word trama, observing and ordering these as they relate to different aspects of the art of printmaking. The phenomenon of trama is appreciable in the conception and activity of printmaking and also in the materials this art employs,...

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Main Author: Vives Piqué, Rosa
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2015-09-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2015/2015-jul-sep/vives-pique-patterns-and-motifs
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author Vives Piqué, Rosa
author_facet Vives Piqué, Rosa
author_sort Vives Piqué, Rosa
collection DOAJ
description I take as my point of departure the various meanings of the Spanish word trama, observing and ordering these as they relate to different aspects of the art of printmaking. The phenomenon of trama is appreciable in the conception and activity of printmaking and also in the materials this art employs, which in turn leave their mark upon the visible and the tactile. Trama is also important in the graphic narrative and in iconography, and this article contributes to the literature with two, hitherto unpublished examples. The first example is a multifaceted icon which was created in the context of popular European printmaking but which came to exert an influence on fine art printmaking even in Picasso. The second example is a drawing which I have been able to attribute to Marià Fortuny, the most internationally renowned Catalan painter of the nineteenth century, and which I examine in the light of an association that may be made between the drawing and a print by Rembrandt.
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spelling doaj.art-a05bfec673e9484ebff8ac08988c22042023-12-03T02:03:56ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282015-09-010129Looking at Patterns and MotifsVives Piqué, RosaI take as my point of departure the various meanings of the Spanish word trama, observing and ordering these as they relate to different aspects of the art of printmaking. The phenomenon of trama is appreciable in the conception and activity of printmaking and also in the materials this art employs, which in turn leave their mark upon the visible and the tactile. Trama is also important in the graphic narrative and in iconography, and this article contributes to the literature with two, hitherto unpublished examples. The first example is a multifaceted icon which was created in the context of popular European printmaking but which came to exert an influence on fine art printmaking even in Picasso. The second example is a drawing which I have been able to attribute to Marià Fortuny, the most internationally renowned Catalan painter of the nineteenth century, and which I examine in the light of an association that may be made between the drawing and a print by Rembrandt.http://www.riha-journal.org/articles/2015/2015-jul-sep/vives-pique-patterns-and-motifsprintmakinglanguagepatterntheoryiconographyEarly Modern18th Century19th Century
spellingShingle Vives Piqué, Rosa
Looking at Patterns and Motifs
RIHA Journal
printmaking
language
pattern
theory
iconography
Early Modern
18th Century
19th Century
title Looking at Patterns and Motifs
title_full Looking at Patterns and Motifs
title_fullStr Looking at Patterns and Motifs
title_full_unstemmed Looking at Patterns and Motifs
title_short Looking at Patterns and Motifs
title_sort looking at patterns and motifs
topic printmaking
language
pattern
theory
iconography
Early Modern
18th Century
19th Century
url http://www.riha-journal.org/articles/2015/2015-jul-sep/vives-pique-patterns-and-motifs
work_keys_str_mv AT vivespiquerosa lookingatpatternsandmotifs