Domains of Indigenous Cinema:
This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2024-01-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/135997 |
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author | Marcos Aurélio Felipe |
author_facet | Marcos Aurélio Felipe |
author_sort | Marcos Aurélio Felipe |
collection | DOAJ |
description | This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
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first_indexed | 2024-03-08T06:23:30Z |
format | Article |
id | doaj.art-a0bbb70567564dc8be9d7a7593c953d3 |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-03-08T06:23:30Z |
publishDate | 2024-01-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-a0bbb70567564dc8be9d7a7593c953d32024-02-03T18:15:03ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602024-01-01141Domains of Indigenous Cinema: Marcos Aurélio Felipe0Universidade Federal do Rio Grande do Norte - UFRNThis study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera? https://seer.ufrgs.br/index.php/presenca/article/view/135997Indigenous CinemaNative PeoplesCounter-ColonialityAnthropology Documentary Film |
spellingShingle | Marcos Aurélio Felipe Domains of Indigenous Cinema: Revista Brasileira de Estudos da Presença Indigenous Cinema Native Peoples Counter-Coloniality Anthropology Documentary Film |
title | Domains of Indigenous Cinema: |
title_full | Domains of Indigenous Cinema: |
title_fullStr | Domains of Indigenous Cinema: |
title_full_unstemmed | Domains of Indigenous Cinema: |
title_short | Domains of Indigenous Cinema: |
title_sort | domains of indigenous cinema |
topic | Indigenous Cinema Native Peoples Counter-Coloniality Anthropology Documentary Film |
url | https://seer.ufrgs.br/index.php/presenca/article/view/135997 |
work_keys_str_mv | AT marcosaureliofelipe domainsofindigenouscinema |