Domains of Indigenous Cinema:

This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of...

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Main Author: Marcos Aurélio Felipe
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2024-01-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/135997
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author Marcos Aurélio Felipe
author_facet Marcos Aurélio Felipe
author_sort Marcos Aurélio Felipe
collection DOAJ
description This study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera?
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publisher Universidade Federal do Rio Grande do Sul
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spelling doaj.art-a0bbb70567564dc8be9d7a7593c953d32024-02-03T18:15:03ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602024-01-01141Domains of Indigenous Cinema: Marcos Aurélio Felipe0Universidade Federal do Rio Grande do Norte - UFRNThis study analyzes the place of indigenous peoples in documentary film, outlining the limits and possibilities that define their condition as subject or object of the documentary film. Based on cinema and anthropological studies, it identifies the extent to which the problem of the constitution of the subject in indigenous cinema allows us to consider a similar research question in the field of humanities. Between the historical and cosmological worlds, the audiovisual field and ante-field, permanent colonialism and counter-coloniality, the domains of power in the indigenous documentary perspective are invariably marked by tensions, fissures and limits. Who, after all, is the Other as subject and/or object of the camera? https://seer.ufrgs.br/index.php/presenca/article/view/135997Indigenous CinemaNative PeoplesCounter-ColonialityAnthropology Documentary Film
spellingShingle Marcos Aurélio Felipe
Domains of Indigenous Cinema:
Revista Brasileira de Estudos da Presença
Indigenous Cinema
Native Peoples
Counter-Coloniality
Anthropology
Documentary Film
title Domains of Indigenous Cinema:
title_full Domains of Indigenous Cinema:
title_fullStr Domains of Indigenous Cinema:
title_full_unstemmed Domains of Indigenous Cinema:
title_short Domains of Indigenous Cinema:
title_sort domains of indigenous cinema
topic Indigenous Cinema
Native Peoples
Counter-Coloniality
Anthropology
Documentary Film
url https://seer.ufrgs.br/index.php/presenca/article/view/135997
work_keys_str_mv AT marcosaureliofelipe domainsofindigenouscinema