Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl

This article explores two predominant images of Gillian Flynn’s female characters: the monstrous mother and the missing/dead girl. These two representations of Flynn’s female characters showcase the link between female criminality and transgression on the one hand, and the female characters’ traumat...

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Main Author: Maysaa Jaber
Format: Article
Language:English
Published: Universidad de Zaragoza 2022-06-01
Series:Miscelánea: A Journal of English and American Studies
Subjects:
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/6853/5909
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author Maysaa Jaber
author_facet Maysaa Jaber
author_sort Maysaa Jaber
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description This article explores two predominant images of Gillian Flynn’s female characters: the monstrous mother and the missing/dead girl. These two representations of Flynn’s female characters showcase the link between female criminality and transgression on the one hand, and the female characters’ traumatic history and family dysfunctionality on the other. This article argues that Flynn’s use of these two tropes reveals the conflicting facets of female crime, victimhood, and agency in her thrillers, and by so doing her work subverts the murky domain of the portrayal of criminal women in relation to motherhood, mental illness and trauma.
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spelling doaj.art-a119ac5c902b4671bf7d18e278afe9732023-01-13T19:13:28ZengUniversidad de ZaragozaMiscelánea: A Journal of English and American Studies1137-63682022-06-0165171189https://doi.org/10.26754/ojs_misc/mj.20226853Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone GirlMaysaa Jaber0University of Baghdad, IraqThis article explores two predominant images of Gillian Flynn’s female characters: the monstrous mother and the missing/dead girl. These two representations of Flynn’s female characters showcase the link between female criminality and transgression on the one hand, and the female characters’ traumatic history and family dysfunctionality on the other. This article argues that Flynn’s use of these two tropes reveals the conflicting facets of female crime, victimhood, and agency in her thrillers, and by so doing her work subverts the murky domain of the portrayal of criminal women in relation to motherhood, mental illness and trauma.https://papiro.unizar.es/ojs/index.php/misc/article/view/6853/5909gillian flynnmonstrositymotherhoodfemale criminalitytraumagone girlsharp objects
spellingShingle Maysaa Jaber
Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
Miscelánea: A Journal of English and American Studies
gillian flynn
monstrosity
motherhood
female criminality
trauma
gone girl
sharp objects
title Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
title_full Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
title_fullStr Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
title_full_unstemmed Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
title_short Monstruous Mothers and Dead Girls in Gillian Flynn's Sharp Objects and Gone Girl
title_sort monstruous mothers and dead girls in gillian flynn s sharp objects and gone girl
topic gillian flynn
monstrosity
motherhood
female criminality
trauma
gone girl
sharp objects
url https://papiro.unizar.es/ojs/index.php/misc/article/view/6853/5909
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