Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting

This paper aims to understand the discursive dimension of some paintings through Michel Foucault's discourse analysis approach. The image of the mirror in several canonical paintings was selected, intending to observe its discursive operation as an element of the visual artistic utterance. Basi...

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Main Authors: Renan Belmonte Mazzola, Maria do Rosário Valencise Gregolin
Format: Article
Language:English
Published: Pontifícia Universidade Católica de São Paulo 2013-11-01
Series:Bakhtiniana: Revista de Estudos do Discurso
Subjects:
Online Access:http://revistas.pucsp.br/index.php/bakhtiniana/article/view/13865/12922
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author Renan Belmonte Mazzola
Maria do Rosário Valencise Gregolin
author_facet Renan Belmonte Mazzola
Maria do Rosário Valencise Gregolin
author_sort Renan Belmonte Mazzola
collection DOAJ
description This paper aims to understand the discursive dimension of some paintings through Michel Foucault's discourse analysis approach. The image of the mirror in several canonical paintings was selected, intending to observe its discursive operation as an element of the visual artistic utterance. Basically, this text has three parts: firstly, it determines the place occupied by the aesthetic discourse in Michel Pêcheux‟s and Michel Foucault‟s works; secondly, it focuses on the analysis of three European paintings, namely The Maids of Honour by Velásquez, A Bar at the Folies-Bergère by Manet, and Dangerous Liaisons by Magritte; thirdly, it discusses the intersection between visuality and interdiscursivity based on a) the contributions of M. Foucault's works on aesthetic discourse and b) the image of the mirror found in those paintings.
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spelling doaj.art-a123c1b14da0488fbc261d32cd6a815f2022-12-21T19:12:40ZengPontifícia Universidade Católica de São PauloBakhtiniana: Revista de Estudos do Discurso2176-45732013-11-0182153175Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in PaintingRenan Belmonte MazzolaMaria do Rosário Valencise GregolinThis paper aims to understand the discursive dimension of some paintings through Michel Foucault's discourse analysis approach. The image of the mirror in several canonical paintings was selected, intending to observe its discursive operation as an element of the visual artistic utterance. Basically, this text has three parts: firstly, it determines the place occupied by the aesthetic discourse in Michel Pêcheux‟s and Michel Foucault‟s works; secondly, it focuses on the analysis of three European paintings, namely The Maids of Honour by Velásquez, A Bar at the Folies-Bergère by Manet, and Dangerous Liaisons by Magritte; thirdly, it discusses the intersection between visuality and interdiscursivity based on a) the contributions of M. Foucault's works on aesthetic discourse and b) the image of the mirror found in those paintings.http://revistas.pucsp.br/index.php/bakhtiniana/article/view/13865/12922Discourse AnalysisAesthetic DiscourseMichel Foucault
spellingShingle Renan Belmonte Mazzola
Maria do Rosário Valencise Gregolin
Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
Bakhtiniana: Revista de Estudos do Discurso
Discourse Analysis
Aesthetic Discourse
Michel Foucault
title Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
title_full Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
title_fullStr Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
title_full_unstemmed Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
title_short Discourse Analysis before Strange Mirrors: Visuality and (Inter)Discursivity in Painting
title_sort discourse analysis before strange mirrors visuality and inter discursivity in painting
topic Discourse Analysis
Aesthetic Discourse
Michel Foucault
url http://revistas.pucsp.br/index.php/bakhtiniana/article/view/13865/12922
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