NILAI-NILAI ESTETIS BENTUK WAYANG KULIT
The history of wayang (Javanese leather puppets) had through a long process and was influencedby many religions and beliefs. At the beginning, the function of wayang was as a worship tool to theancestral spirits or Hyang, and developed into attraction show today. Leather wayang was drawnen face and...
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| Format: | Article |
| Language: | Indonesian |
| Published: |
Pusat Penerbitan ISI Surakarta
2016-04-01
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| Series: | Gelar: Jurnal Seni Budaya |
| Online Access: | https://jurnal.isi-ska.ac.id/index.php/gelar/article/view/1483 |
| _version_ | 1827918329258442752 |
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| author | Timbul Subagya |
| author_facet | Timbul Subagya |
| author_sort | Timbul Subagya |
| collection | DOAJ |
| description | The history of wayang (Javanese leather puppets) had through a long process and was influencedby many religions and beliefs. At the beginning, the function of wayang was as a worship tool to theancestral spirits or Hyang, and developed into attraction show today. Leather wayang was drawnen face and converted became en trios quart. Now it became en profil. The revision and thedevelopment of wayang’s forms stillation is synchronized with the social conditions of the society,from their beliefs in animism, Hinduism, and Islamic. The depictions of puppet forms that existtoday are influenced by Islamic sculpture and technical demands to perform the show on a screen.Depictions of leather wayang in en profile forms were done to avoid realistic human portrayal thatis prohibited in Islam. |
| first_indexed | 2024-03-13T03:41:45Z |
| format | Article |
| id | doaj.art-a12604c3d76547b0a345f949e96dcb52 |
| institution | Directory Open Access Journal |
| issn | 1410-9700 2655-9153 |
| language | Indonesian |
| last_indexed | 2024-03-13T03:41:45Z |
| publishDate | 2016-04-01 |
| publisher | Pusat Penerbitan ISI Surakarta |
| record_format | Article |
| series | Gelar: Jurnal Seni Budaya |
| spelling | doaj.art-a12604c3d76547b0a345f949e96dcb522023-06-23T07:50:26ZindPusat Penerbitan ISI SurakartaGelar: Jurnal Seni Budaya1410-97002655-91532016-04-0111210.33153/glr.v11i2.14831441NILAI-NILAI ESTETIS BENTUK WAYANG KULITTimbul SubagyaThe history of wayang (Javanese leather puppets) had through a long process and was influencedby many religions and beliefs. At the beginning, the function of wayang was as a worship tool to theancestral spirits or Hyang, and developed into attraction show today. Leather wayang was drawnen face and converted became en trios quart. Now it became en profil. The revision and thedevelopment of wayang’s forms stillation is synchronized with the social conditions of the society,from their beliefs in animism, Hinduism, and Islamic. The depictions of puppet forms that existtoday are influenced by Islamic sculpture and technical demands to perform the show on a screen.Depictions of leather wayang in en profile forms were done to avoid realistic human portrayal thatis prohibited in Islam.https://jurnal.isi-ska.ac.id/index.php/gelar/article/view/1483 |
| spellingShingle | Timbul Subagya NILAI-NILAI ESTETIS BENTUK WAYANG KULIT Gelar: Jurnal Seni Budaya |
| title | NILAI-NILAI ESTETIS BENTUK WAYANG KULIT |
| title_full | NILAI-NILAI ESTETIS BENTUK WAYANG KULIT |
| title_fullStr | NILAI-NILAI ESTETIS BENTUK WAYANG KULIT |
| title_full_unstemmed | NILAI-NILAI ESTETIS BENTUK WAYANG KULIT |
| title_short | NILAI-NILAI ESTETIS BENTUK WAYANG KULIT |
| title_sort | nilai nilai estetis bentuk wayang kulit |
| url | https://jurnal.isi-ska.ac.id/index.php/gelar/article/view/1483 |
| work_keys_str_mv | AT timbulsubagya nilainilaiestetisbentukwayangkulit |