El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui

In the present article we will interpret the works of two colombian artists who work the topic of the museum from different poetics and operations: in his project El espacio del lugar, el lugar del espacio Nicolás Consuegra, carries out the institutional migracion from the yuxtaposition of the Museu...

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Main Author: Bárbara Muñoz Porqué
Format: Article
Language:English
Published: Universidad de Los Andes 2019-07-01
Series:Hart
Subjects:
Online Access:https://revistas.uniandes.edu.co/doi/full/10.25025/hart05.2019.04
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author Bárbara Muñoz Porqué
author_facet Bárbara Muñoz Porqué
author_sort Bárbara Muñoz Porqué
collection DOAJ
description In the present article we will interpret the works of two colombian artists who work the topic of the museum from different poetics and operations: in his project El espacio del lugar, el lugar del espacio Nicolás Consuegra, carries out the institutional migracion from the yuxtaposition of the Museum of Art of the National University and the space NC-Arte, proposing an experience on the impossibility in the displacement and a reflection on the exhibition space from the site-specific genre. The second, Jaime Iregui, in Monumentos privados takes again the topic of the collection and the museography deposit to make visible a repository of objects that were donated in the half of 20th century to the Museum of Antioquia, putting in scene the question on the origin about the conformation of collections. Through the intervention of the museographic space and the appropriation of specific collecting strategies, this two works relocate the inherited ways in which the archive has been understood as a foundational place of knowledge.
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spelling doaj.art-a1611276667f42869f2314cc93e706402022-12-21T20:03:37ZengUniversidad de Los AndesHart2539-22632590-91262019-07-0155988https://doi.org/10.25025/hart05.2019.04El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime IreguiBárbara Muñoz Porqué0Universidad de los AndesIn the present article we will interpret the works of two colombian artists who work the topic of the museum from different poetics and operations: in his project El espacio del lugar, el lugar del espacio Nicolás Consuegra, carries out the institutional migracion from the yuxtaposition of the Museum of Art of the National University and the space NC-Arte, proposing an experience on the impossibility in the displacement and a reflection on the exhibition space from the site-specific genre. The second, Jaime Iregui, in Monumentos privados takes again the topic of the collection and the museography deposit to make visible a repository of objects that were donated in the half of 20th century to the Museum of Antioquia, putting in scene the question on the origin about the conformation of collections. Through the intervention of the museographic space and the appropriation of specific collecting strategies, this two works relocate the inherited ways in which the archive has been understood as a foundational place of knowledge.https://revistas.uniandes.edu.co/doi/full/10.25025/hart05.2019.04CollectionMuseumArchiveSubjectivityArchitectural SpaceContemporary Art
spellingShingle Bárbara Muñoz Porqué
El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
Hart
Collection
Museum
Archive
Subjectivity
Architectural Space
Contemporary Art
title El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
title_full El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
title_fullStr El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
title_full_unstemmed El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
title_short El estatuto museal en el arte contemporáneo colombiano: dos obras de Nicolás Consuegra y Jaime Iregui
title_sort el estatuto museal en el arte contemporaneo colombiano dos obras de nicolas consuegra y jaime iregui
topic Collection
Museum
Archive
Subjectivity
Architectural Space
Contemporary Art
url https://revistas.uniandes.edu.co/doi/full/10.25025/hart05.2019.04
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