Richard Wright, 1938–1945: from Gorky to Dostoevsky

Richard Wright’s infatuation and subsequent disenchantment with CommunismRichard Wright’s infatuation and subsequent disenchantment with Communismoccurred within the space of a few years and, significantly, it coincided with a shift ofliterary affiliation from Gorky to Dostoevsky. Wright experienced...

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Main Author: Dale E. Peterson
Format: Article
Language:deu
Published: Russian Academy of Sciences, A.M. Gorky Institute of World Literature 2017-12-01
Series:Литература двух Америк
Subjects:
Online Access:http://litda.ru/images/2017-3/LDA-2017-3_162-175_Peterson.pdf
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author Dale E. Peterson
author_facet Dale E. Peterson
author_sort Dale E. Peterson
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description Richard Wright’s infatuation and subsequent disenchantment with CommunismRichard Wright’s infatuation and subsequent disenchantment with Communismoccurred within the space of a few years and, significantly, it coincided with a shift ofliterary affiliation from Gorky to Dostoevsky. Wright experienced a profound identificationwith the life and writing of Gorky; his early fiction and literary pronouncementsemulated Gorky’s call to transform peasant souls into proletarian masses.Wright’s autobiography, Black Boy, like Gorky’s Childhood, charts a similar journeyaway from a native culture of patriarchal violence and maternal suppression. Sometimearound 1942 Wright’s deep engagement with Dostoevsky led to a rejection ofcultural determinism and dialectical materialism. Native Son’s black Raskolnikov isakin to the miserable underground man and Wright’s “The Man Who Lived Underground”is akin to that absurd visionary, Dostoevsky’s “ridiculous” dreamer. Gorkyand Dostoevsky shaped Wright’s intellectual journey from proletarian internationalismto the existential humanism of his later works.
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spelling doaj.art-a163d87acec44ad4af64305051188d8a2022-12-21T18:44:16ZdeuRussian Academy of Sciences, A.M. Gorky Institute of World LiteratureЛитература двух Америк2541-78942542-243X2017-12-01316217410.22455/2541-7894-2017-3-162-174Richard Wright, 1938–1945: from Gorky to DostoevskyDale E. Peterson0Amherst CollegeRichard Wright’s infatuation and subsequent disenchantment with CommunismRichard Wright’s infatuation and subsequent disenchantment with Communismoccurred within the space of a few years and, significantly, it coincided with a shift ofliterary affiliation from Gorky to Dostoevsky. Wright experienced a profound identificationwith the life and writing of Gorky; his early fiction and literary pronouncementsemulated Gorky’s call to transform peasant souls into proletarian masses.Wright’s autobiography, Black Boy, like Gorky’s Childhood, charts a similar journeyaway from a native culture of patriarchal violence and maternal suppression. Sometimearound 1942 Wright’s deep engagement with Dostoevsky led to a rejection ofcultural determinism and dialectical materialism. Native Son’s black Raskolnikov isakin to the miserable underground man and Wright’s “The Man Who Lived Underground”is akin to that absurd visionary, Dostoevsky’s “ridiculous” dreamer. Gorkyand Dostoevsky shaped Wright’s intellectual journey from proletarian internationalismto the existential humanism of his later works.http://litda.ru/images/2017-3/LDA-2017-3_162-175_Peterson.pdfrichard wrightgorkydostoevskyproletarian fictionsocialist realismharlem renaissanceautobiographyexistentialismdreiser
spellingShingle Dale E. Peterson
Richard Wright, 1938–1945: from Gorky to Dostoevsky
Литература двух Америк
richard wright
gorky
dostoevsky
proletarian fiction
socialist realism
harlem renaissance
autobiography
existentialism
dreiser
title Richard Wright, 1938–1945: from Gorky to Dostoevsky
title_full Richard Wright, 1938–1945: from Gorky to Dostoevsky
title_fullStr Richard Wright, 1938–1945: from Gorky to Dostoevsky
title_full_unstemmed Richard Wright, 1938–1945: from Gorky to Dostoevsky
title_short Richard Wright, 1938–1945: from Gorky to Dostoevsky
title_sort richard wright 1938 1945 from gorky to dostoevsky
topic richard wright
gorky
dostoevsky
proletarian fiction
socialist realism
harlem renaissance
autobiography
existentialism
dreiser
url http://litda.ru/images/2017-3/LDA-2017-3_162-175_Peterson.pdf
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