‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets

Sixteenth century Lyonnaise poet, Louise Labé, is primarily famous for her sonnet series, encoded with subtle feminist references and overt celebrations of female sexual and romantic desire. However, these poems are also tinged with anxieties, focused on legitimising her poetic voice and self-expres...

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Main Author: Siobhan Hodge
Format: Article
Language:English
Published: University of Western Australia 2014-12-01
Series:Limina: A Journal of Historical and Cultural Studies
Subjects:
Online Access:http://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0010/2657395/Hodge-article.pdf
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author Siobhan Hodge
author_facet Siobhan Hodge
author_sort Siobhan Hodge
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description Sixteenth century Lyonnaise poet, Louise Labé, is primarily famous for her sonnet series, encoded with subtle feminist references and overt celebrations of female sexual and romantic desire. However, these poems are also tinged with anxieties, focused on legitimising her poetic voice and self-expression. By closely reading several of Labé’s sonnets, a series of direct engagements with her contemporary audience, critics and predecessors becomes evident, along with the poet’s articulation of potential sources of doubt. Engagement with bodily imagery, technical approaches to voice and directives given to the reader, reveal Labé’s preoccupation with identifying and countering forms of oppression. The following analysis examines five sonnets in detail, with reference to Labé’s recognition of sources of concern and application of poetic techniques and images to challenge these.
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spelling doaj.art-a1a6aff4e3904d11b094e132dc89952e2022-12-21T19:19:40ZengUniversity of Western AustraliaLimina: A Journal of Historical and Cultural Studies1833-34192014-12-01202121‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s SonnetsSiobhan Hodge0The University of Western AustraliaSixteenth century Lyonnaise poet, Louise Labé, is primarily famous for her sonnet series, encoded with subtle feminist references and overt celebrations of female sexual and romantic desire. However, these poems are also tinged with anxieties, focused on legitimising her poetic voice and self-expression. By closely reading several of Labé’s sonnets, a series of direct engagements with her contemporary audience, critics and predecessors becomes evident, along with the poet’s articulation of potential sources of doubt. Engagement with bodily imagery, technical approaches to voice and directives given to the reader, reveal Labé’s preoccupation with identifying and countering forms of oppression. The following analysis examines five sonnets in detail, with reference to Labé’s recognition of sources of concern and application of poetic techniques and images to challenge these.http://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0010/2657395/Hodge-article.pdflouise labépoetryfeminismsonnetsoppressionbody imagery
spellingShingle Siobhan Hodge
‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
Limina: A Journal of Historical and Cultural Studies
louise labé
poetry
feminism
sonnets
oppression
body imagery
title ‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
title_full ‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
title_fullStr ‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
title_full_unstemmed ‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
title_short ‘Ne reprenez, Dames, si j’ay aymé’: Combatting Fear of Oppression in Louise Labé’s Sonnets
title_sort ne reprenez dames si j ay ayme combatting fear of oppression in louise labe s sonnets
topic louise labé
poetry
feminism
sonnets
oppression
body imagery
url http://www.limina.arts.uwa.edu.au/__data/assets/pdf_file/0010/2657395/Hodge-article.pdf
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