Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks

Introduction. In the media reality, there is no reflection of the subject about the causes of the emergence of media objects. The media offer a fait accompli. In response, a person uses a unique property of his consciousness - the ability to build a consistent picture of the world from disparate ele...

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Main Author: Fortunatov, Anton Nikolaevich
Format: Article
Language:English
Published: Saratov State University 2023-09-01
Series:Известия Саратовского университета: Новая серия. Серия Философия. Психология. Педагогика
Subjects:
Online Access:https://phpp.sgu.ru/sites/phpp.sgu.ru/files/2023/09/filosofiya_2023_3-293-297.pdf
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author Fortunatov, Anton Nikolaevich
author_facet Fortunatov, Anton Nikolaevich
author_sort Fortunatov, Anton Nikolaevich
collection DOAJ
description Introduction. In the media reality, there is no reflection of the subject about the causes of the emergence of media objects. The media offer a fait accompli. In response, a person uses a unique property of his consciousness - the ability to build a consistent picture of the world from disparate elements, overcoming the discreteness of technologies. Theoretical analysis. Neural networks are trying to turn a person into a passive consumer of an already assembled picture of the world. However, artificial intelligence is entirely dependent on the text as a material product devoid of subjectivity, which manifests not only the “death of the author”, but also the destruction of meanings. History in the interpretation of neural networks appears in the form of funny comics. As a result, mystical worlds arise that have nothing to do with the real events of the past. This is neurohistoricism. Empirical analysis. In presentations of Russian cities in the form of portraits of people, neural networks destroy classical history as a space of reflection. The impersonality and vulgarity of presentations can be interpreted not only as a result of incorrect wording of the task by the customer, but also as an antagonism between artificial intelligence and real human consciousness. Conclusion. Neurohistoricism opposes history as a process, as an essential element of human self-consciousness.
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spelling doaj.art-a1a881129882488a8d680f4efef4697c2023-09-28T12:30:17ZengSaratov State UniversityИзвестия Саратовского университета: Новая серия. Серия Философия. Психология. Педагогика1819-76712542-19482023-09-0123329329710.18500/1819-7671-2023-23-3-293-297Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networksFortunatov, Anton Nikolaevich0Nizhny Novgorod State University. NI Lobachevsky, 603000, Nizhny Novgorod, ul. University, 7, RussiaIntroduction. In the media reality, there is no reflection of the subject about the causes of the emergence of media objects. The media offer a fait accompli. In response, a person uses a unique property of his consciousness - the ability to build a consistent picture of the world from disparate elements, overcoming the discreteness of technologies. Theoretical analysis. Neural networks are trying to turn a person into a passive consumer of an already assembled picture of the world. However, artificial intelligence is entirely dependent on the text as a material product devoid of subjectivity, which manifests not only the “death of the author”, but also the destruction of meanings. History in the interpretation of neural networks appears in the form of funny comics. As a result, mystical worlds arise that have nothing to do with the real events of the past. This is neurohistoricism. Empirical analysis. In presentations of Russian cities in the form of portraits of people, neural networks destroy classical history as a space of reflection. The impersonality and vulgarity of presentations can be interpreted not only as a result of incorrect wording of the task by the customer, but also as an antagonism between artificial intelligence and real human consciousness. Conclusion. Neurohistoricism opposes history as a process, as an essential element of human self-consciousness.https://phpp.sgu.ru/sites/phpp.sgu.ru/files/2023/09/filosofiya_2023_3-293-297.pdfneural networkmedia technologiesmedia realityhistorynarrativetext
spellingShingle Fortunatov, Anton Nikolaevich
Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
Известия Саратовского университета: Новая серия. Серия Философия. Психология. Педагогика
neural network
media technologies
media reality
history
narrative
text
title Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
title_full Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
title_fullStr Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
title_full_unstemmed Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
title_short Neurohistoricism as an imitative reality: Special features of the formation of visual images of Russian cities using neural networks
title_sort neurohistoricism as an imitative reality special features of the formation of visual images of russian cities using neural networks
topic neural network
media technologies
media reality
history
narrative
text
url https://phpp.sgu.ru/sites/phpp.sgu.ru/files/2023/09/filosofiya_2023_3-293-297.pdf
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