Ut pictura poesis

The theme of the work is d’Annunzio and Fortuny’s art. In the essay the different phases of the relationship between the two artists are reconstructed, until d’Annunzio’s theatrical productions that were realised in collaboration with the painter, especially Francesca da Rimini. The two artists w...

Full description

Bibliographic Details
Main Author: Sgroi, Alfredo
Format: Article
Language:Italian
Published: Fondazione Università Ca’ Foscari 2016-10-01
Series:Archivio d’Annunzio
Subjects:
Online Access:http://doi.org/10.14277/2421-292X/AdA-3-16-6
_version_ 1797646129342447616
author Sgroi, Alfredo
author_facet Sgroi, Alfredo
author_sort Sgroi, Alfredo
collection DOAJ
description The theme of the work is d’Annunzio and Fortuny’s art. In the essay the different phases of the relationship between the two artists are reconstructed, until d’Annunzio’s theatrical productions that were realised in collaboration with the painter, especially Francesca da Rimini. The two artists work in the wake of Wagner’s innovations and want to create a ‘total’ theatre, taking care of the different aspects of the décor: scenography, lighting effects, costumes. In this regard, Fortuny’s contribution was decisive. In fact, they will not have a happy outcome, even though the affinity between these two protagonists remained firm in the late nineteenth-century culture.
first_indexed 2024-03-11T14:57:08Z
format Article
id doaj.art-a1b6a8c2d6d04b48a75719da0cfa565d
institution Directory Open Access Journal
issn 2421-292X
language Italian
last_indexed 2024-03-11T14:57:08Z
publishDate 2016-10-01
publisher Fondazione Università Ca’ Foscari
record_format Article
series Archivio d’Annunzio
spelling doaj.art-a1b6a8c2d6d04b48a75719da0cfa565d2023-10-30T08:18:36ZitaFondazione Università Ca’ FoscariArchivio d’Annunzio2421-292X2016-10-013110.14277/2421-292X/AdA-3-16-6journal_article_380Ut pictura poesisSgroi, Alfredo0Università degli Studi di Catania, Italia The theme of the work is d’Annunzio and Fortuny’s art. In the essay the different phases of the relationship between the two artists are reconstructed, until d’Annunzio’s theatrical productions that were realised in collaboration with the painter, especially Francesca da Rimini. The two artists work in the wake of Wagner’s innovations and want to create a ‘total’ theatre, taking care of the different aspects of the décor: scenography, lighting effects, costumes. In this regard, Fortuny’s contribution was decisive. In fact, they will not have a happy outcome, even though the affinity between these two protagonists remained firm in the late nineteenth-century culture. http://doi.org/10.14277/2421-292X/AdA-3-16-6D’Annunzio. Fortuny
spellingShingle Sgroi, Alfredo
Ut pictura poesis
Archivio d’Annunzio
D’Annunzio. Fortuny
title Ut pictura poesis
title_full Ut pictura poesis
title_fullStr Ut pictura poesis
title_full_unstemmed Ut pictura poesis
title_short Ut pictura poesis
title_sort ut pictura poesis
topic D’Annunzio. Fortuny
url http://doi.org/10.14277/2421-292X/AdA-3-16-6
work_keys_str_mv AT sgroialfredo utpicturapoesis