From Harlem with Love

The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends t...

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Bibliographic Details
Main Author: Leonardo Cascão
Format: Article
Language:English
Published: Università degli Studi di Torino 2023-05-01
Series:JAm It!
Subjects:
Online Access:https://ojs.unito.it/index.php/jamit/article/view/7051
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author Leonardo Cascão
author_facet Leonardo Cascão
author_sort Leonardo Cascão
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description The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends to explore the ways in which The Sweet Flypaper of Life depicts a representation of the neighbourhood of Harlem at a time when the Civil Rights Movement was just beginning. It will look at the power that DeCarava’s photographs and Hughes’ text have on creating a specific visuality of African American life, based on the Harlem community, rendering itself to be seen as a family album. The essay will firstly focus on contextualizing the creation and publication of The Sweet Flypaper of Life and afterwards offer a reading of the book using the family album metaphor as a form of agency in the acknowledgment of the African American community, focusing its representation in the aestheticization of beauty, thus distancing itself from the social and racial issues that were usually exposed.
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spelling doaj.art-a1bee14251514b5ab4545de803eda8852023-06-13T06:49:00ZengUniversità degli Studi di TorinoJAm It!2612-56412023-05-01810.13135/2612-5641/7051From Harlem with LoveLeonardo Cascão0University of Coimbra The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends to explore the ways in which The Sweet Flypaper of Life depicts a representation of the neighbourhood of Harlem at a time when the Civil Rights Movement was just beginning. It will look at the power that DeCarava’s photographs and Hughes’ text have on creating a specific visuality of African American life, based on the Harlem community, rendering itself to be seen as a family album. The essay will firstly focus on contextualizing the creation and publication of The Sweet Flypaper of Life and afterwards offer a reading of the book using the family album metaphor as a form of agency in the acknowledgment of the African American community, focusing its representation in the aestheticization of beauty, thus distancing itself from the social and racial issues that were usually exposed. https://ojs.unito.it/index.php/jamit/article/view/7051African Americanvisual studiesvisualityaestheticsphotographycommunity
spellingShingle Leonardo Cascão
From Harlem with Love
JAm It!
African American
visual studies
visuality
aesthetics
photography
community
title From Harlem with Love
title_full From Harlem with Love
title_fullStr From Harlem with Love
title_full_unstemmed From Harlem with Love
title_short From Harlem with Love
title_sort from harlem with love
topic African American
visual studies
visuality
aesthetics
photography
community
url https://ojs.unito.it/index.php/jamit/article/view/7051
work_keys_str_mv AT leonardocascao fromharlemwithlove