From Harlem with Love
The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends t...
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Format: | Article |
Language: | English |
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Università degli Studi di Torino
2023-05-01
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Series: | JAm It! |
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Online Access: | https://ojs.unito.it/index.php/jamit/article/view/7051 |
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author | Leonardo Cascão |
author_facet | Leonardo Cascão |
author_sort | Leonardo Cascão |
collection | DOAJ |
description |
The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends to explore the ways in which The Sweet Flypaper of Life depicts a representation of the neighbourhood of Harlem at a time when the Civil Rights Movement was just beginning. It will look at the power that DeCarava’s photographs and Hughes’ text have on creating a specific visuality of African American life, based on the Harlem community, rendering itself to be seen as a family album. The essay will firstly focus on contextualizing the creation and publication of The Sweet Flypaper of Life and afterwards offer a reading of the book using the family album metaphor as a form of agency in the acknowledgment of the African American community, focusing its representation in the aestheticization of beauty, thus distancing itself from the social and racial issues that were usually exposed.
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first_indexed | 2024-03-13T05:55:04Z |
format | Article |
id | doaj.art-a1bee14251514b5ab4545de803eda885 |
institution | Directory Open Access Journal |
issn | 2612-5641 |
language | English |
last_indexed | 2024-03-13T05:55:04Z |
publishDate | 2023-05-01 |
publisher | Università degli Studi di Torino |
record_format | Article |
series | JAm It! |
spelling | doaj.art-a1bee14251514b5ab4545de803eda8852023-06-13T06:49:00ZengUniversità degli Studi di TorinoJAm It!2612-56412023-05-01810.13135/2612-5641/7051From Harlem with LoveLeonardo Cascão0University of Coimbra The Sweet Flypaper of Life (1955) is the result of the collaboration between the photographer Roy DeCarava and writer Langston Hughes. Both authors were Harlemites, DeCarava was born in Harlem and Langston Hughes made Harlem his home after moving from Missouri to New York City. This essay intends to explore the ways in which The Sweet Flypaper of Life depicts a representation of the neighbourhood of Harlem at a time when the Civil Rights Movement was just beginning. It will look at the power that DeCarava’s photographs and Hughes’ text have on creating a specific visuality of African American life, based on the Harlem community, rendering itself to be seen as a family album. The essay will firstly focus on contextualizing the creation and publication of The Sweet Flypaper of Life and afterwards offer a reading of the book using the family album metaphor as a form of agency in the acknowledgment of the African American community, focusing its representation in the aestheticization of beauty, thus distancing itself from the social and racial issues that were usually exposed. https://ojs.unito.it/index.php/jamit/article/view/7051African Americanvisual studiesvisualityaestheticsphotographycommunity |
spellingShingle | Leonardo Cascão From Harlem with Love JAm It! African American visual studies visuality aesthetics photography community |
title | From Harlem with Love |
title_full | From Harlem with Love |
title_fullStr | From Harlem with Love |
title_full_unstemmed | From Harlem with Love |
title_short | From Harlem with Love |
title_sort | from harlem with love |
topic | African American visual studies visuality aesthetics photography community |
url | https://ojs.unito.it/index.php/jamit/article/view/7051 |
work_keys_str_mv | AT leonardocascao fromharlemwithlove |