L’orrore della colpa nell’ultimo Grossman
The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the ha...
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| Format: | Article |
| Language: | English |
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LED - Edizioni Universitarie di Lettere Economia Diritto
2014-02-01
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| Series: | Linguae &: Rivista di Lingue e Culture Moderne |
| Online Access: | http://www.ledonline.it/index.php/linguae/article/view/582 |
| _version_ | 1797228649550708736 |
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| author | Maurizia Calusio |
| author_facet | Maurizia Calusio |
| author_sort | Maurizia Calusio |
| collection | DOAJ |
| description | The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor. |
| first_indexed | 2024-04-24T15:00:03Z |
| format | Article |
| id | doaj.art-a1f144065d434357af4ef7e700480c12 |
| institution | Directory Open Access Journal |
| issn | 2281-8952 1724-8698 |
| language | English |
| last_indexed | 2024-04-24T15:00:03Z |
| publishDate | 2014-02-01 |
| publisher | LED - Edizioni Universitarie di Lettere Economia Diritto |
| record_format | Article |
| series | Linguae &: Rivista di Lingue e Culture Moderne |
| spelling | doaj.art-a1f144065d434357af4ef7e700480c122024-04-02T15:56:56ZengLED - Edizioni Universitarie di Lettere Economia DirittoLinguae &: Rivista di Lingue e Culture Moderne2281-89521724-86982014-02-01122496510.7358/ling-2013-002-calu549L’orrore della colpa nell’ultimo GrossmanMaurizia Calusio0Università Cattolica del Sacro Cuore - MilanoThe recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor.http://www.ledonline.it/index.php/linguae/article/view/582 |
| spellingShingle | Maurizia Calusio L’orrore della colpa nell’ultimo Grossman Linguae &: Rivista di Lingue e Culture Moderne |
| title | L’orrore della colpa nell’ultimo Grossman |
| title_full | L’orrore della colpa nell’ultimo Grossman |
| title_fullStr | L’orrore della colpa nell’ultimo Grossman |
| title_full_unstemmed | L’orrore della colpa nell’ultimo Grossman |
| title_short | L’orrore della colpa nell’ultimo Grossman |
| title_sort | l orrore della colpa nell ultimo grossman |
| url | http://www.ledonline.it/index.php/linguae/article/view/582 |
| work_keys_str_mv | AT mauriziacalusio lorroredellacolpanellultimogrossman |