La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion
Although Ngozi Onwurah is a leading figure of Black British cinema, she still remains largely in the margins of British Film Studies. Her work, which is often autobiographical and offers representations of childhood, questions the identity-building process of black and mixed-race children within whi...
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Format: | Article |
Language: | English |
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Université Toulouse - Jean Jaurès
2018-09-01
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Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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Online Access: | http://journals.openedition.org/miranda/13505 |
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author | Émilie Herbert |
author_facet | Émilie Herbert |
author_sort | Émilie Herbert |
collection | DOAJ |
description | Although Ngozi Onwurah is a leading figure of Black British cinema, she still remains largely in the margins of British Film Studies. Her work, which is often autobiographical and offers representations of childhood, questions the identity-building process of black and mixed-race children within white societies. While referring to Judith Butler's concepts of the stylization of the body and gender performativity, and combining phenomenological and postcolonial approaches, I will explore how childhood in Ngozi Onwurah's films actually reveals strategies of subversion of racial and gender identities. |
first_indexed | 2024-12-13T02:06:54Z |
format | Article |
id | doaj.art-a2283119a12146469d9d01161226b16d |
institution | Directory Open Access Journal |
issn | 2108-6559 |
language | English |
last_indexed | 2024-12-13T02:06:54Z |
publishDate | 2018-09-01 |
publisher | Université Toulouse - Jean Jaurès |
record_format | Article |
series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
spelling | doaj.art-a2283119a12146469d9d01161226b16d2022-12-22T00:03:07ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592018-09-011710.4000/miranda.13505La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversionÉmilie HerbertAlthough Ngozi Onwurah is a leading figure of Black British cinema, she still remains largely in the margins of British Film Studies. Her work, which is often autobiographical and offers representations of childhood, questions the identity-building process of black and mixed-race children within white societies. While referring to Judith Butler's concepts of the stylization of the body and gender performativity, and combining phenomenological and postcolonial approaches, I will explore how childhood in Ngozi Onwurah's films actually reveals strategies of subversion of racial and gender identities.http://journals.openedition.org/miranda/13505Black British cinemarepresentations of childhoodperformativity of race and gender |
spellingShingle | Émilie Herbert La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion Miranda: Revue Pluridisciplinaire du Monde Anglophone Black British cinema representations of childhood performativity of race and gender |
title | La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion |
title_full | La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion |
title_fullStr | La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion |
title_full_unstemmed | La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion |
title_short | La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion |
title_sort | la construction identitaire dans le cinema de ngozi onwurah re stylisation du corps et strategies de subversion |
topic | Black British cinema representations of childhood performativity of race and gender |
url | http://journals.openedition.org/miranda/13505 |
work_keys_str_mv | AT emilieherbert laconstructionidentitairedanslecinemadengozionwurahrestylisationducorpsetstrategiesdesubversion |