Pourquoi les maisons ? Parce que les barrières, tiens !

Starting from some archaeologists’ pungent critique of his previous interpretation of the variability of Anga techniques (in Papua New Guinea), the author returns to the distribution maps he published long ago. He puts forward some arguments showing that the approaches in terms of style, identity, o...

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Main Author: Pierre Lemonnier
Format: Article
Language:fra
Published: Editions de la Maison des Sciences de l'Homme 2012-03-01
Series:Les Nouvelles de l’Archéologie
Subjects:
Online Access:http://journals.openedition.org/nda/1351
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author Pierre Lemonnier
author_facet Pierre Lemonnier
author_sort Pierre Lemonnier
collection DOAJ
description Starting from some archaeologists’ pungent critique of his previous interpretation of the variability of Anga techniques (in Papua New Guinea), the author returns to the distribution maps he published long ago. He puts forward some arguments showing that the approaches in terms of style, identity, or power cannot cope with the lack of historical background in the Anga case and just hide what has to be understood, namely the specific role of artefacts in social relations. The example of what is at stake in the making of a Baruya garden fence – that is, the non-verbal communication of key features and tensions of the local culture – illustrates an important turn in the theory of material culture. Anthropologists are no more looking for vague principles that might “structure” a series of functionally unrelated techniques, but it is now possible explore the ways in which a technique, in its very materiality, shows and reproduces social relations. With this respect, the Anga houses studied by A. Coudart probably have a similar function.
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spelling doaj.art-a2a3f529e39144b28b6454a56702c6122022-12-21T23:46:53ZfraEditions de la Maison des Sciences de l'HommeLes Nouvelles de l’Archéologie0242-77022425-19412012-03-01127495310.4000/nda.1351Pourquoi les maisons ? Parce que les barrières, tiens !Pierre LemonnierStarting from some archaeologists’ pungent critique of his previous interpretation of the variability of Anga techniques (in Papua New Guinea), the author returns to the distribution maps he published long ago. He puts forward some arguments showing that the approaches in terms of style, identity, or power cannot cope with the lack of historical background in the Anga case and just hide what has to be understood, namely the specific role of artefacts in social relations. The example of what is at stake in the making of a Baruya garden fence – that is, the non-verbal communication of key features and tensions of the local culture – illustrates an important turn in the theory of material culture. Anthropologists are no more looking for vague principles that might “structure” a series of functionally unrelated techniques, but it is now possible explore the ways in which a technique, in its very materiality, shows and reproduces social relations. With this respect, the Anga houses studied by A. Coudart probably have a similar function.http://journals.openedition.org/nda/1351AngaNew Guineanon-verbal communicationoperational sequencetechnical choices
spellingShingle Pierre Lemonnier
Pourquoi les maisons ? Parce que les barrières, tiens !
Les Nouvelles de l’Archéologie
Anga
New Guinea
non-verbal communication
operational sequence
technical choices
title Pourquoi les maisons ? Parce que les barrières, tiens !
title_full Pourquoi les maisons ? Parce que les barrières, tiens !
title_fullStr Pourquoi les maisons ? Parce que les barrières, tiens !
title_full_unstemmed Pourquoi les maisons ? Parce que les barrières, tiens !
title_short Pourquoi les maisons ? Parce que les barrières, tiens !
title_sort pourquoi les maisons parce que les barrieres tiens
topic Anga
New Guinea
non-verbal communication
operational sequence
technical choices
url http://journals.openedition.org/nda/1351
work_keys_str_mv AT pierrelemonnier pourquoilesmaisonsparcequelesbarrierestiens