Sensus and Dissensus Communis

The thesis of the article is that within the framework of Western culture the cinematic comedy again and again can be seen as an aesthetic form where passions for democracy take their way. Following Cavell, philosophy, first, is as a matter of the "human voice" which is, in reference to Ka...

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Main Author: Josef Früchtl
Format: Article
Language:English
Published: Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics) 2020-12-01
Series:Aesthetic Investigations
Subjects:
Online Access:https://www.aestheticinvestigations.eu/index.php/journal/article/view/213
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author Josef Früchtl
author_facet Josef Früchtl
author_sort Josef Früchtl
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description The thesis of the article is that within the framework of Western culture the cinematic comedy again and again can be seen as an aesthetic form where passions for democracy take their way. Following Cavell, philosophy, first, is as a matter of the "human voice" which is, in reference to Kant's third Critique, a "universal voice". The aesthetic judgement insofar is a model of philosophical and, secondly, of democratic judgement. For in Kant, arguing about aesthetic matters means facilitating the communitarisation of confrontation. "Common sense" (sensus communis) is the political term Kant offers for this. Since this term, thirdly, has recently again been appropriated by populist semantics, it is important to stress a radically democratic, with Cavell: a romantic conception of democracy, and to this conception, fourth, the art form of comedy corresponds. Comedy and democracy both  centre around "the common, the familiar, the low", and in laughter give this human-social sphere both an anarchic-democratic level of meaning and a certain, humorous self-reflection. The movie Adam's Rib finally works as an example for this.
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spelling doaj.art-a2df88dcea114afcbbddfda6acf390d72022-12-21T21:03:17ZengNederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)Aesthetic Investigations2352-27042020-12-014110.5281/zenodo.4415571Sensus and Dissensus CommunisJosef Früchtl0University of AmsterdamThe thesis of the article is that within the framework of Western culture the cinematic comedy again and again can be seen as an aesthetic form where passions for democracy take their way. Following Cavell, philosophy, first, is as a matter of the "human voice" which is, in reference to Kant's third Critique, a "universal voice". The aesthetic judgement insofar is a model of philosophical and, secondly, of democratic judgement. For in Kant, arguing about aesthetic matters means facilitating the communitarisation of confrontation. "Common sense" (sensus communis) is the political term Kant offers for this. Since this term, thirdly, has recently again been appropriated by populist semantics, it is important to stress a radically democratic, with Cavell: a romantic conception of democracy, and to this conception, fourth, the art form of comedy corresponds. Comedy and democracy both  centre around "the common, the familiar, the low", and in laughter give this human-social sphere both an anarchic-democratic level of meaning and a certain, humorous self-reflection. The movie Adam's Rib finally works as an example for this.https://www.aestheticinvestigations.eu/index.php/journal/article/view/213common sense, democracy, aesthetic judgement, comedy, romanticism, film
spellingShingle Josef Früchtl
Sensus and Dissensus Communis
Aesthetic Investigations
common sense, democracy, aesthetic judgement, comedy, romanticism, film
title Sensus and Dissensus Communis
title_full Sensus and Dissensus Communis
title_fullStr Sensus and Dissensus Communis
title_full_unstemmed Sensus and Dissensus Communis
title_short Sensus and Dissensus Communis
title_sort sensus and dissensus communis
topic common sense, democracy, aesthetic judgement, comedy, romanticism, film
url https://www.aestheticinvestigations.eu/index.php/journal/article/view/213
work_keys_str_mv AT joseffruchtl sensusanddissensuscommunis