Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects

This paper reconsiders the complex and somewhat ambivalent relationships between the cinematographic image and the globalized world as it is characterized by flows (of images, among other flows). For this purpose, the paper examines different aesthetic forms that contemporary cinema gives to the ima...

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Main Authors: Sébastien FEVRY, Sophie DUFAYS
Format: Article
Language:English
Published: Etudes Scientifiques Spécialisées Appliquées aux Communications Humaines, Economiques, Sociales et Symboliques 2018-07-01
Series:Essachess
Subjects:
Online Access:http://www.essachess.com/index.php/jcs/article/view/416/454
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author Sébastien FEVRY
Sophie DUFAYS
author_facet Sébastien FEVRY
Sophie DUFAYS
author_sort Sébastien FEVRY
collection DOAJ
description This paper reconsiders the complex and somewhat ambivalent relationships between the cinematographic image and the globalized world as it is characterized by flows (of images, among other flows). For this purpose, the paper examines different aesthetic forms that contemporary cinema gives to the image-flow – taking into account the editing as well as the framing resources –, based on a multiple corpus of both blockbusters and author films. The analysis aims at bringing out the poetic and affective effects of these representations of the flow. In particular, the paper suggests that contemporary cinema offers a new tragic vision of the flow, which it links to the melancholic or depressive affect.
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spelling doaj.art-a35060f492874d729fe454a6b4d56aa62022-12-21T20:03:23ZengEtudes Scientifiques Spécialisées Appliquées aux Communications Humaines, Economiques, Sociales et SymboliquesEssachess2066-50831775-352X2018-07-01111(21)197214Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effectsSébastien FEVRY0Sophie DUFAYS1Université Catholique de Louvain BELGIQUEUniversité Catholique de Louvain BELGIQUEThis paper reconsiders the complex and somewhat ambivalent relationships between the cinematographic image and the globalized world as it is characterized by flows (of images, among other flows). For this purpose, the paper examines different aesthetic forms that contemporary cinema gives to the image-flow – taking into account the editing as well as the framing resources –, based on a multiple corpus of both blockbusters and author films. The analysis aims at bringing out the poetic and affective effects of these representations of the flow. In particular, the paper suggests that contemporary cinema offers a new tragic vision of the flow, which it links to the melancholic or depressive affect.http://www.essachess.com/index.php/jcs/article/view/416/454imageflowcontemporary cinemafilmglobalizationtragicmelancholia
spellingShingle Sébastien FEVRY
Sophie DUFAYS
Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
Essachess
image
flow
contemporary cinema
film
globalization
tragic
melancholia
title Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
title_full Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
title_fullStr Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
title_full_unstemmed Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
title_short Rethinking the question of the image-flow in contemporary cinema. Configurations and poetic effects
title_sort rethinking the question of the image flow in contemporary cinema configurations and poetic effects
topic image
flow
contemporary cinema
film
globalization
tragic
melancholia
url http://www.essachess.com/index.php/jcs/article/view/416/454
work_keys_str_mv AT sebastienfevry rethinkingthequestionoftheimageflowincontemporarycinemaconfigurationsandpoeticeffects
AT sophiedufays rethinkingthequestionoftheimageflowincontemporarycinemaconfigurationsandpoeticeffects