Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel

This article analyses Jamaica Kincaid’s autobiographical novel See Now Then through the metaphor of the palimpsest with the aim of exploring the frictions between the different generic and thematic layers that make up the text. It argues that despite the novel’s generic openness, its thematic concer...

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Main Author: Bárbara Arizti
Format: Article
Language:English
Published: Institute of English Studies 2022-09-01
Series:Anglica. An International Journal of English Studies
Subjects:
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author Bárbara Arizti
author_facet Bárbara Arizti
author_sort Bárbara Arizti
collection DOAJ
description This article analyses Jamaica Kincaid’s autobiographical novel See Now Then through the metaphor of the palimpsest with the aim of exploring the frictions between the different generic and thematic layers that make up the text. It argues that despite the novel’s generic openness, its thematic concerns, most notably its treatment of time and narrative temporality, encourage a backward-looking stance that reasserts the past. The theories of Sarah Dillon and Lene Johannessen on the nature of palimpsests, especially the difference between the palimpsestic and the palimpsestuous and the interaction between the horizontal and the vertical, the new and the old, will be drawn upon in conjunction with Leigh Gilmore’s investigations into limit case autobiographies – works, like Kincaid’s, that question the borders between fiction and life-writing under the pressure of traumatic experiences.
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spelling doaj.art-a35df9fdd88f46d1aee1ec48f6e02eeb2022-12-22T04:13:52ZengInstitute of English StudiesAnglica. An International Journal of English Studies0860-57342022-09-0131110712310.7311/0860-5734.31.1.06Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A NovelBárbara Arizti0https://orcid.org/0000-0002-8803-1308University of ZaragozaThis article analyses Jamaica Kincaid’s autobiographical novel See Now Then through the metaphor of the palimpsest with the aim of exploring the frictions between the different generic and thematic layers that make up the text. It argues that despite the novel’s generic openness, its thematic concerns, most notably its treatment of time and narrative temporality, encourage a backward-looking stance that reasserts the past. The theories of Sarah Dillon and Lene Johannessen on the nature of palimpsests, especially the difference between the palimpsestic and the palimpsestuous and the interaction between the horizontal and the vertical, the new and the old, will be drawn upon in conjunction with Leigh Gilmore’s investigations into limit case autobiographies – works, like Kincaid’s, that question the borders between fiction and life-writing under the pressure of traumatic experiences.jamaica kincaidautobiography(auto)pathographypost-colonial palimpsesttraumanarrative temporality
spellingShingle Bárbara Arizti
Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
Anglica. An International Journal of English Studies
jamaica kincaid
autobiography
(auto)pathography
post-colonial palimpsest
trauma
narrative temporality
title Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
title_full Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
title_fullStr Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
title_full_unstemmed Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
title_short Autobiography, Time and the Palimpsest in Jamaica Kincaid’s See Now Then: A Novel
title_sort autobiography time and the palimpsest in jamaica kincaid s see now then a novel
topic jamaica kincaid
autobiography
(auto)pathography
post-colonial palimpsest
trauma
narrative temporality
work_keys_str_mv AT barbaraarizti autobiographytimeandthepalimpsestinjamaicakincaidsseenowthenanovel