The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture

This work verifies to what extent the picture, product of a mediation strongly technique, can reveal an imaginary. With the presupposition that the pictures constitute communicative actions to share world visions, we examined phtographs done by amateurs. The aim is to use the Studies of the Imaginar...

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Main Author: Ana Taís Martins Portanova Barros
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2010-07-01
Series:Galáxia
Online Access:https://revistas.pucsp.br/galaxia/article/view/2217
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author Ana Taís Martins Portanova Barros
author_facet Ana Taís Martins Portanova Barros
author_sort Ana Taís Martins Portanova Barros
collection DOAJ
description This work verifies to what extent the picture, product of a mediation strongly technique, can reveal an imaginary. With the presupposition that the pictures constitute communicative actions to share world visions, we examined phtographs done by amateurs. The aim is to use the Studies of the Imaginary by Gilbert Durand to look symbolic images for the photographic images. It is ended that the symbolic imagination is present also in an activity eminently technique as the picture, and that the abundance of pictures of the intimate banalities indicates a conversion of the objetictiv and warlike imaginary to an euphemistic and subjetctiv imaginary.
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spelling doaj.art-a362b39b6c0e43c6b1b8d190fc463a5a2022-12-22T02:31:46ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532010-07-010192725The Sense in Image: the Communication of Contemporary Strategies of facing the World through the PictureAna Taís Martins Portanova Barros0UFRGSThis work verifies to what extent the picture, product of a mediation strongly technique, can reveal an imaginary. With the presupposition that the pictures constitute communicative actions to share world visions, we examined phtographs done by amateurs. The aim is to use the Studies of the Imaginary by Gilbert Durand to look symbolic images for the photographic images. It is ended that the symbolic imagination is present also in an activity eminently technique as the picture, and that the abundance of pictures of the intimate banalities indicates a conversion of the objetictiv and warlike imaginary to an euphemistic and subjetctiv imaginary.https://revistas.pucsp.br/galaxia/article/view/2217
spellingShingle Ana Taís Martins Portanova Barros
The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
Galáxia
title The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
title_full The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
title_fullStr The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
title_full_unstemmed The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
title_short The Sense in Image: the Communication of Contemporary Strategies of facing the World through the Picture
title_sort sense in image the communication of contemporary strategies of facing the world through the picture
url https://revistas.pucsp.br/galaxia/article/view/2217
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