Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability

The present study introduces eight comic styles (i.e., fun, humor, nonsense, wit, irony, satire, sarcasm, and cynicism) and examines the validity of a set of 48 marker items for their assessment, the Comic Style Markers (CSM). These styles were originally developed to describe literary work and are...

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Main Authors: Willibald Ruch, Sonja Heintz, Tracey Platt, Lisa Wagner, René T. Proyer
Format: Article
Language:English
Published: Frontiers Media S.A. 2018-01-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00006/full
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author Willibald Ruch
Sonja Heintz
Tracey Platt
Lisa Wagner
René T. Proyer
author_facet Willibald Ruch
Sonja Heintz
Tracey Platt
Lisa Wagner
René T. Proyer
author_sort Willibald Ruch
collection DOAJ
description The present study introduces eight comic styles (i.e., fun, humor, nonsense, wit, irony, satire, sarcasm, and cynicism) and examines the validity of a set of 48 marker items for their assessment, the Comic Style Markers (CSM). These styles were originally developed to describe literary work and are used here to describe individual differences. Study 1 examines whether the eight styles can be distinguished empirically, in self- and other-reports, and in two languages. In different samples of altogether more than 1500 adult participants, the CSM was developed and evaluated with respect to internal consistency, homogeneity, test–retest reliability, factorial validity, and construct and criterion validity. Internal consistency was sufficiently high, and the median test-retest reliability over a period of 1–2 weeks was 0.86 (N = 148). Exploratory and confirmatory factor analyses showed that the eight styles could be distinguished in both English- (N = 303) and German-speaking samples (N = 1018 and 368). Comparing self- and other-reports (N = 210) supported both convergent and discriminant validity. The intercorrelations among the eight scales ranged from close to zero (between humor and sarcasm/cynicism) to large and positive (between sarcasm and cynicism). Consequently, second-order factor analyses revealed either two bipolar factors (based on ipsative data) or three unipolar factors (based on normative data). Study 2 related the CSM to instruments measuring personality (N = 999), intelligence (N = 214), and character strengths (N = 252), showing that (a) wit was the only style correlated with (verbal) intelligence, (b) fun was related to indicators of vitality and extraversion, (c) humor was related to character strengths of the heart, and (d) comic styles related to mock/ridicule (i.e., sarcasm, cynicism, but also irony) correlated negatively with character strengths of the virtues temperance, transcendence, and humanity. By contrast, satire had a moral goodness that was lacking in sarcasm and cynicism. Most importantly, the two studies revealed that humor might be related to a variety of character strengths depending on the comic style utilized, and that more styles may be distinguished than has been done in the past. The CSM is recommended for future explorations and refinements of comic styles.
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spelling doaj.art-a36abe4ca196453991b66f660e5459e72022-12-22T00:38:08ZengFrontiers Media S.A.Frontiers in Psychology1664-10782018-01-01910.3389/fpsyg.2018.00006309565Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and AbilityWillibald Ruch0Sonja Heintz1Tracey Platt2Lisa Wagner3René T. Proyer4Personality and Assessment, Department of Psychology, University of Zurich, Zurich, SwitzerlandPersonality and Assessment, Department of Psychology, University of Zurich, Zurich, SwitzerlandInstitute of Psychology, University of Wolverhampton, Wolverhampton, United KingdomPersonality and Assessment, Department of Psychology, University of Zurich, Zurich, SwitzerlandDepartment of Psychology, Martin-Luther University Halle-Wittenberg, Halle, GermanyThe present study introduces eight comic styles (i.e., fun, humor, nonsense, wit, irony, satire, sarcasm, and cynicism) and examines the validity of a set of 48 marker items for their assessment, the Comic Style Markers (CSM). These styles were originally developed to describe literary work and are used here to describe individual differences. Study 1 examines whether the eight styles can be distinguished empirically, in self- and other-reports, and in two languages. In different samples of altogether more than 1500 adult participants, the CSM was developed and evaluated with respect to internal consistency, homogeneity, test–retest reliability, factorial validity, and construct and criterion validity. Internal consistency was sufficiently high, and the median test-retest reliability over a period of 1–2 weeks was 0.86 (N = 148). Exploratory and confirmatory factor analyses showed that the eight styles could be distinguished in both English- (N = 303) and German-speaking samples (N = 1018 and 368). Comparing self- and other-reports (N = 210) supported both convergent and discriminant validity. The intercorrelations among the eight scales ranged from close to zero (between humor and sarcasm/cynicism) to large and positive (between sarcasm and cynicism). Consequently, second-order factor analyses revealed either two bipolar factors (based on ipsative data) or three unipolar factors (based on normative data). Study 2 related the CSM to instruments measuring personality (N = 999), intelligence (N = 214), and character strengths (N = 252), showing that (a) wit was the only style correlated with (verbal) intelligence, (b) fun was related to indicators of vitality and extraversion, (c) humor was related to character strengths of the heart, and (d) comic styles related to mock/ridicule (i.e., sarcasm, cynicism, but also irony) correlated negatively with character strengths of the virtues temperance, transcendence, and humanity. By contrast, satire had a moral goodness that was lacking in sarcasm and cynicism. Most importantly, the two studies revealed that humor might be related to a variety of character strengths depending on the comic style utilized, and that more styles may be distinguished than has been done in the past. The CSM is recommended for future explorations and refinements of comic styles.http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00006/fullhumorridiculefunsatirewitirony
spellingShingle Willibald Ruch
Sonja Heintz
Tracey Platt
Lisa Wagner
René T. Proyer
Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
Frontiers in Psychology
humor
ridicule
fun
satire
wit
irony
title Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
title_full Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
title_fullStr Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
title_full_unstemmed Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
title_short Broadening Humor: Comic Styles Differentially Tap into Temperament, Character, and Ability
title_sort broadening humor comic styles differentially tap into temperament character and ability
topic humor
ridicule
fun
satire
wit
irony
url http://journal.frontiersin.org/article/10.3389/fpsyg.2018.00006/full
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