About Research in the Arts: a lover’s discourse

This paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes’ A Lover’s Discourse are forced to talk about the relationship of researcher...

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Main Author: Victoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2015-08-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/52368
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author Victoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)
author_facet Victoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)
author_sort Victoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)
collection DOAJ
description This paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes’ A Lover’s Discourse are forced to talk about the relationship of researcher and object of study. This analogy allows us to find quality parameters based on a scale of values different to the hegemonic ones in the academy (productivity, competitiveness, innovation). These new parameters might constitute a solid ontological basis to build a new politics of artistic research in the academy that allow a radical reconsideration of processes of artistic research.
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spelling doaj.art-a3893ded789044de937c558387a24d322022-12-22T03:48:10ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602015-08-0153About Research in the Arts: a lover’s discourseVictoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)0Universidad de ZaragozaThis paper is the result of an exercise of experimental re-writing and analogical thinking which had as an aim to open a new perspective on research in the arts. In terms of method, the different figures of love in Barthes’ A Lover’s Discourse are forced to talk about the relationship of researcher and object of study. This analogy allows us to find quality parameters based on a scale of values different to the hegemonic ones in the academy (productivity, competitiveness, innovation). These new parameters might constitute a solid ontological basis to build a new politics of artistic research in the academy that allow a radical reconsideration of processes of artistic research.https://seer.ufrgs.br/index.php/presenca/article/view/52368Artistic ResearchLoveAnalogyEthics of ResearchSubjectivity
spellingShingle Victoria Pérez Royo (Universidad de Zaragoza – Zaragoza, Spain)
About Research in the Arts: a lover’s discourse
Revista Brasileira de Estudos da Presença
Artistic Research
Love
Analogy
Ethics of Research
Subjectivity
title About Research in the Arts: a lover’s discourse
title_full About Research in the Arts: a lover’s discourse
title_fullStr About Research in the Arts: a lover’s discourse
title_full_unstemmed About Research in the Arts: a lover’s discourse
title_short About Research in the Arts: a lover’s discourse
title_sort about research in the arts a lover s discourse
topic Artistic Research
Love
Analogy
Ethics of Research
Subjectivity
url https://seer.ufrgs.br/index.php/presenca/article/view/52368
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