Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>

In this essay, I argue that Haitian-American writer Edwidge Danticat, in short stories from her most recent collection, <i>Everything </i><i>Inside</i> (2019), challenges toxic forms of representation by attending to the imaginative potential of Haitian migrant experience wit...

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Main Author: Jay Rajiva
Format: Article
Language:English
Published: MDPI AG 2022-11-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/11/6/139
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author Jay Rajiva
author_facet Jay Rajiva
author_sort Jay Rajiva
collection DOAJ
description In this essay, I argue that Haitian-American writer Edwidge Danticat, in short stories from her most recent collection, <i>Everything </i><i>Inside</i> (2019), challenges toxic forms of representation by attending to the imaginative potential of Haitian migrant experience within moments of collective trauma. This challenge, I suggest, is based on <i>bigidi</i>, a Creole expression denoting permanent imbalance that is once philosophy, dance practice, musical aesthetic, and cultural tradition. The principle of being off-balance without falling, central to how bigidi finds expression in Guadeloupean <i>swaré-lé-woz</i> and other forms of Caribbean dance, interweaves rhythm, music, and bodily movement with a community-oriented site of cultural expression. By saturating the narrative and readerly spaces of <i>Everything Inside</i> with uniquely Caribbean elements of improvisation, audience interaction, and performance, Danticat foregrounds moments of shared intimacy and vulnerability between Haitians, disrupting the representational trauma circuit of migrant death.
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spelling doaj.art-a3a157cd44e54f7ca88b7b69a6c6a90d2023-11-24T15:16:58ZengMDPI AGHumanities2076-07872022-11-0111613910.3390/h11060139Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>Jay Rajiva0Department of English, Georgia State University, Atlanta, GA 30307, USAIn this essay, I argue that Haitian-American writer Edwidge Danticat, in short stories from her most recent collection, <i>Everything </i><i>Inside</i> (2019), challenges toxic forms of representation by attending to the imaginative potential of Haitian migrant experience within moments of collective trauma. This challenge, I suggest, is based on <i>bigidi</i>, a Creole expression denoting permanent imbalance that is once philosophy, dance practice, musical aesthetic, and cultural tradition. The principle of being off-balance without falling, central to how bigidi finds expression in Guadeloupean <i>swaré-lé-woz</i> and other forms of Caribbean dance, interweaves rhythm, music, and bodily movement with a community-oriented site of cultural expression. By saturating the narrative and readerly spaces of <i>Everything Inside</i> with uniquely Caribbean elements of improvisation, audience interaction, and performance, Danticat foregrounds moments of shared intimacy and vulnerability between Haitians, disrupting the representational trauma circuit of migrant death.https://www.mdpi.com/2076-0787/11/6/139Caribbean literaturetraumaDanticatHaitidiasporadance
spellingShingle Jay Rajiva
Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
Humanities
Caribbean literature
trauma
Danticat
Haiti
diaspora
dance
title Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
title_full Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
title_fullStr Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
title_full_unstemmed Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
title_short Caring for <i>Everything Inside</i>: Migrant Trauma and Danticat’s Narrative <i>Bigidi</i>
title_sort caring for i everything inside i migrant trauma and danticat s narrative i bigidi i
topic Caribbean literature
trauma
Danticat
Haiti
diaspora
dance
url https://www.mdpi.com/2076-0787/11/6/139
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