History and ideology in Chimamanda Adichie’s fiction

The colonial experience of the African and the imposition of colonial values on the African worldview are factors that indeed had provided the impetus and even motivation for much of the literary production in the continent. This essay traces specifically the issue of religious ideology/conflict fro...

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Main Author: Sophia O. Ogwude
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2017-05-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/2340
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author Sophia O. Ogwude
author_facet Sophia O. Ogwude
author_sort Sophia O. Ogwude
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description The colonial experience of the African and the imposition of colonial values on the African worldview are factors that indeed had provided the impetus and even motivation for much of the literary production in the continent. This essay traces specifically the issue of religious ideology/conflict from Achebe through Ngugi to Adichie. It attempts to show that in the successful execution of her goals and objectives in Purple Hibiscus, Chimamanda Adichie mounts the rostrum reserved for the African masters of the art. In this novel, she, in addition to other things, shows the wickedness perpetrated by overzealous African converts who often demand and expect (from their dependants) the degree of self-negation which Soyinka has identified as cultural hostility. The essay further posits that in the celebration of Nigerian history, even when ‘temporarily dislocated’, as well as our legitimate niche in the Commonwealth of Nations, as she has done in Half of a Yellow Sun, Adichie educates non-Africans and alienated Africans about the indomitable African spirit.
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spelling doaj.art-a3c4e33105c14d58a79822d90b0917592022-12-22T01:38:06ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702017-05-01481History and ideology in Chimamanda Adichie’s fictionSophia O. Ogwude0University of Abuja, NigeriaThe colonial experience of the African and the imposition of colonial values on the African worldview are factors that indeed had provided the impetus and even motivation for much of the literary production in the continent. This essay traces specifically the issue of religious ideology/conflict from Achebe through Ngugi to Adichie. It attempts to show that in the successful execution of her goals and objectives in Purple Hibiscus, Chimamanda Adichie mounts the rostrum reserved for the African masters of the art. In this novel, she, in addition to other things, shows the wickedness perpetrated by overzealous African converts who often demand and expect (from their dependants) the degree of self-negation which Soyinka has identified as cultural hostility. The essay further posits that in the celebration of Nigerian history, even when ‘temporarily dislocated’, as well as our legitimate niche in the Commonwealth of Nations, as she has done in Half of a Yellow Sun, Adichie educates non-Africans and alienated Africans about the indomitable African spirit.https://journals.assaf.org.za/index.php/tvl/article/view/2340African cultural traditionsAfrican male autocracyNigerian women fictioncolonial social valuesreligious chauvinism
spellingShingle Sophia O. Ogwude
History and ideology in Chimamanda Adichie’s fiction
Tydskrif vir Letterkunde
African cultural traditions
African male autocracy
Nigerian women fiction
colonial social values
religious chauvinism
title History and ideology in Chimamanda Adichie’s fiction
title_full History and ideology in Chimamanda Adichie’s fiction
title_fullStr History and ideology in Chimamanda Adichie’s fiction
title_full_unstemmed History and ideology in Chimamanda Adichie’s fiction
title_short History and ideology in Chimamanda Adichie’s fiction
title_sort history and ideology in chimamanda adichie s fiction
topic African cultural traditions
African male autocracy
Nigerian women fiction
colonial social values
religious chauvinism
url https://journals.assaf.org.za/index.php/tvl/article/view/2340
work_keys_str_mv AT sophiaoogwude historyandideologyinchimamandaadichiesfiction