IRACEMA IN CINEMA AND THE DESIRE OF THE REAL
This work wishes to understand the discursive strategies used by the movie directors Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist theme of Iracema, based in the work of Jos de Alencar, for using filming methods that would allow that the Brazilian sc...
| Main Author: | |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Estadual do Oeste do Paraná
2009-04-01
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| Series: | Travessias |
| Subjects: | |
| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/3215 |
| _version_ | 1818975542500655104 |
|---|---|
| author | Marcos da Silva Coimbra |
| author_facet | Marcos da Silva Coimbra |
| author_sort | Marcos da Silva Coimbra |
| collection | DOAJ |
| description | This work wishes to understand the discursive strategies used by the movie directors
Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist
theme of Iracema, based in the work of Jos de Alencar, for using filming methods that would allow
that the Brazilian scene of the time would be boarded in its completeness and without ornaments,
also allowing the fiction and the documentary to stand together in a play that gives a lot of freedom
to the characters, assimilating also random events. |
| first_indexed | 2024-12-20T15:57:37Z |
| format | Article |
| id | doaj.art-a41a41f0f04d4220b649b051c735f2b7 |
| institution | Directory Open Access Journal |
| issn | 1982-5935 |
| language | Portuguese |
| last_indexed | 2024-12-20T15:57:37Z |
| publishDate | 2009-04-01 |
| publisher | Universidade Estadual do Oeste do Paraná |
| record_format | Article |
| series | Travessias |
| spelling | doaj.art-a41a41f0f04d4220b649b051c735f2b72022-12-21T19:34:24ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352009-04-01312901IRACEMA IN CINEMA AND THE DESIRE OF THE REALMarcos da Silva CoimbraThis work wishes to understand the discursive strategies used by the movie directors Jorge Bodanzky and Orlando Senna, from the expansion and the subversion of the native indianist theme of Iracema, based in the work of Jos de Alencar, for using filming methods that would allow that the Brazilian scene of the time would be boarded in its completeness and without ornaments, also allowing the fiction and the documentary to stand together in a play that gives a lot of freedom to the characters, assimilating also random events.http://e-revista.unioeste.br/index.php/travessias/article/view/3215indianismolinguagensficçãodocumentáriodenúncias. |
| spellingShingle | Marcos da Silva Coimbra IRACEMA IN CINEMA AND THE DESIRE OF THE REAL Travessias indianismo linguagens ficção documentário denúncias. |
| title | IRACEMA IN CINEMA AND THE DESIRE OF THE REAL |
| title_full | IRACEMA IN CINEMA AND THE DESIRE OF THE REAL |
| title_fullStr | IRACEMA IN CINEMA AND THE DESIRE OF THE REAL |
| title_full_unstemmed | IRACEMA IN CINEMA AND THE DESIRE OF THE REAL |
| title_short | IRACEMA IN CINEMA AND THE DESIRE OF THE REAL |
| title_sort | iracema in cinema and the desire of the real |
| topic | indianismo linguagens ficção documentário denúncias. |
| url | http://e-revista.unioeste.br/index.php/travessias/article/view/3215 |
| work_keys_str_mv | AT marcosdasilvacoimbra iracemaincinemaandthedesireofthereal |