Introducing Pandemic Cinema in Central and Eastern Europe

Although movies representing pandemics can be tracked at least to Die Pest in Florenz / The Pest of Florence (Otto Rippert, 1919, Germany), discussion of pandemic movies as a (sub)genre of its own are quite recent. Moreover, the academic work that does exist has mostly seen pandemic movies narrowly,...

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Main Author: Mario Slugan
Format: Article
Language:ces
Published: Natascha Drubek 2021-04-01
Series:Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
Subjects:
Online Access:https://www.apparatusjournal.net/index.php/apparatus/article/view/254
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author Mario Slugan
author_facet Mario Slugan
author_sort Mario Slugan
collection DOAJ
description Although movies representing pandemics can be tracked at least to Die Pest in Florenz / The Pest of Florence (Otto Rippert, 1919, Germany), discussion of pandemic movies as a (sub)genre of its own are quite recent. Moreover, the academic work that does exist has mostly seen pandemic movies narrowly, usually as subgenres of existing categories like horror or science fiction. And even when researchers treated the films as genres, they almost exclusively focused on English-language productions despite the international status of the phenomenon. The introduction, therefore, agitates for a need to expand the analysis to other countries and offers the special issue as an early response in that direction.
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spelling doaj.art-a444c93ca8d54f07ba8a89217ce2392b2022-12-22T00:57:54ZcesNatascha DrubekApparatus. Film, Media and Digital Cultures of Central and Eastern Europe2365-77582021-04-011210.17892/app.2021.00012.254Introducing Pandemic Cinema in Central and Eastern EuropeMario SluganAlthough movies representing pandemics can be tracked at least to Die Pest in Florenz / The Pest of Florence (Otto Rippert, 1919, Germany), discussion of pandemic movies as a (sub)genre of its own are quite recent. Moreover, the academic work that does exist has mostly seen pandemic movies narrowly, usually as subgenres of existing categories like horror or science fiction. And even when researchers treated the films as genres, they almost exclusively focused on English-language productions despite the international status of the phenomenon. The introduction, therefore, agitates for a need to expand the analysis to other countries and offers the special issue as an early response in that direction. https://www.apparatusjournal.net/index.php/apparatus/article/view/254Eastern EuropeCentral Europeoutbreak narrativeplague narrativeCOVID-19genre
spellingShingle Mario Slugan
Introducing Pandemic Cinema in Central and Eastern Europe
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
Eastern Europe
Central Europe
outbreak narrative
plague narrative
COVID-19
genre
title Introducing Pandemic Cinema in Central and Eastern Europe
title_full Introducing Pandemic Cinema in Central and Eastern Europe
title_fullStr Introducing Pandemic Cinema in Central and Eastern Europe
title_full_unstemmed Introducing Pandemic Cinema in Central and Eastern Europe
title_short Introducing Pandemic Cinema in Central and Eastern Europe
title_sort introducing pandemic cinema in central and eastern europe
topic Eastern Europe
Central Europe
outbreak narrative
plague narrative
COVID-19
genre
url https://www.apparatusjournal.net/index.php/apparatus/article/view/254
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