Musicology without Present Tense? Spotlights on Teaching Twentieth- and Twenty-First-Century Music History from Around the World

Musicology without Present Tense? Spotlights on Teaching Twentieth- and Twenty-First-Century Music History from Around the World

Bibliographic Details
Main Author:	Carolin Krahn
Format:	Article
Language:	English
Published:	Österreichische Gesellschaft für Musikwissenschaft 2022-03-01
Series:	Musicologica Austriaca
Subjects:	20th century 21st century canonization contemporary music global music history history of musicology international musicology modern music music history music history curriculum musicology
Online Access:	https://musau.org//parts/neue-article-page/pdf/123

Similar Items

The musicological portions of the Saṅgītanārāyaṇa
by: Katz, J, et al.
Published: (1987)

Institute of musicology, Serbian Academy of Sciences and Arts (1948-2010)
by: Petrović Danica
Published: (2010-01-01)

On the future of music history in professional and central-peripheral European musical circumstances
by: Veselinović-Hofman Mirjana
Published: (2019-01-01)

Music analysis East and West /
by: Selfridge-Field, Eleanor, et al.
Published: (2006)

Baltic musicological conferences: National music historiographies and transnationalism
by: Stanevičiūtė Rūta
Published: (2019-01-01)

György Ligeti and organ music – traditional reformer or revolutionary discoverer? Ligeti’s organ music and its influence to the playing technique of organ
by: Jan Lehtola
Published: (2019-12-01)

BESSARABIAN RELIGIOUS MUSIC OF BYZANTINE TRADITION REFLECTED IN AUTOCHTHONOUS MUSICOLOGY
by: BARBANOI HRISTINA
Published: (2015-06-01)

The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965)
by: Vesić Ivana, et al.
Published: (2018-01-01)

Příspěvek k dějinám brněnské hudební vědy
by: Jiří Vysloužil
Published: (2015-06-01)

Marilyn Herman, Gondar’s Child. Songs, Honor, and Identity among Ethiopian Jews in Israel
by: Charlotte Touati
Published: (2014-12-01)

Quiet is beautiful: The poetics of soft sound today
by: Mieko Kanno
Published: (2020-06-01)

Editorial
by: Markus Kuikka, et al.
Published: (2019-12-01)

Aspects of pitch organization in György Ligeti's Piano etude no. 8, Fém
by: Marcus Castrén
Published: (2019-12-01)

And now I'm here as his son: remembering György Ligeti as a person, a composer, and a father
by: Lukas Ligeti
Published: (2020-01-01)

In the penprints of György Ligeti in Basle – Historical Aspects on Performance Notes in Piano Etudes 1–6
by: Elisa Järvi
Published: (2019-12-01)

Aspects of melodic and rhythmical textures in György Ligeti’s micro and macro polyphony
by: Manos Panayiotakis
Published: (2019-12-01)

Music retrieval : a tutorial and review /
by: 323110 Orio, Nicola
Published: (2006)

Anaïs Fléchet, Marie-Françoise Lévy, Littératures et musiques dans la mondialisation, XXe-XXIe siècles
by: Laurent Vidal
Published: (2015-09-01)

Musicology: Doubts about its Subject(s) and its Pedagogical Function(s)
by: Nikša Gligo
Published: (2003-12-01)

[electronic resource]
Published: (1899)

Influences of Musicology and Ethnomusicology in Music Education Research in Brazil
by: Eliton Perpetuo Rosa Pereira
Published: (2023-03-01)

Serbian musicology after 1945 – main directions
by: Melita Milin
Published: (2015-06-01)

THE CONCEPT NATIONAL IN MUSIC I. LASHENKO IN CONDITIONS OF DEVELOPMENT MODERN PERFORMANCE MUSICOLOGY
by: O.M. Markova
Published: (2007-05-01)

"...aby se na hudbu dneška nepohlíželo z uzounkého obzoru pouhého dneška..." : hravý příspěvek k potenciálním koncepcím periodizace dějin hudby a odkazu Vladimíra Helferta
by: Viktor Pantůček
Published: (2016-12-01)

Popular music and producing collectivities: the challenges of audience research in contemporary musicology
by: Petrov Ana
Published: (2015-01-01)

Contemporary Musicology and the Study of Musical Practices in Slovenia
by: Matjaž Barbo
Published: (2020-12-01)

Focus – Quale futuro per la storia della musica nelle scuole italiane?
by: Lorenzo Bianconi, et al.
Published: (2023-12-01)

A Discussion of the Power of Science to Complement Ethno+musicological Studies: Insights from Interdisciplinary Musicology
by: Silvia Lazo
Published: (2018-01-01)

Is Musicology (Only) One of the Humanities?
by: Ana Popović
Published: (2020-12-01)

Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790)
by: Eugeen Schreurs
Published: (2018-12-01)

Versuch über Fukač
by: Miloš Štědroň
Published: (2017-12-01)

Report from the symposium “Transforming musicianship: Understanding 19th-century historical style and its implications for learning”, Sibelius Academy, Helsinki, 12 November 2018
by: Guadalupe López-Íñiguez
Published: (2019-12-01)

Community Music: Perspectives on a New Model for Music Education and Social Change in Italy
by: Johann van der Sandt, et al.
Published: (2021-12-01)

EFFECTS OF TRADITIONAL TURKISH MUSIC IN EXPRESS OF 19TH CENTURY BYZANTINE MUSIC THEORETICAL STRUCTURE
by: Ahmet FEYZİ
Published: (2016-08-01)

The Bracale Opera Company in Colombia (1922-1933): a music culture agent for the country
by: Daniel Cárdenas Velásquez
Published: (2015-06-01)

VLADIMIR AXIONOV — A CORYPHAEUS OF MOLDOVAN MUSICOLOGY
by: MIRONENCO ELENA
Published: (2015-03-01)

Legacy collection of composers in the SASA Institute of Musicology
by: Milanović Biljana
Published: (2010-01-01)

Globalisation and western music historiography
by: Romanou Katy
Published: (2015-01-01)

Evaluation of Current Music Synthesis Software for Rendering of Various Synthesis Algorithms
by: Tan, Julie Lee Mei
Published: (2000)

Lo-Fi aesthetics in popular music discourse
by: Harper, A, et al.
Published: (2014)