“Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions

We combine a convex facial mask with a concave torso—or vice versa—thus creating a single rigid object with a transition area at the neck, where convexity changes to concavity. This combination creates stunning illusions when the rigid object is set to motion. The two simplest effects are (1) when t...

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Main Authors: Thomas V. Papathomas, Marcel De Heer, Xiaohua Zhuang, Tom Grace, Robert Bunkin
Format: Article
Language:English
Published: SAGE Publishing 2012-12-01
Series:i-Perception
Online Access:https://doi.org/10.1068/i0551sas
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author Thomas V. Papathomas
Marcel De Heer
Xiaohua Zhuang
Tom Grace
Robert Bunkin
author_facet Thomas V. Papathomas
Marcel De Heer
Xiaohua Zhuang
Tom Grace
Robert Bunkin
author_sort Thomas V. Papathomas
collection DOAJ
description We combine a convex facial mask with a concave torso—or vice versa—thus creating a single rigid object with a transition area at the neck, where convexity changes to concavity. This combination creates stunning illusions when the rigid object is set to motion. The two simplest effects are (1) when the object is rotated about its axis, the head appears to twist with respect to the torso, as in “The Exorcist” film (2) when it is rotated around an axis parallel to the shoulders, the head appears to hinge around the torso. More complex illusory effects result from more complex motions. The involvement of higher-level perceptual processes may account for the illusory effects.
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spelling doaj.art-a50aeba440b848d9baeb5259864a0a752022-12-21T22:05:12ZengSAGE Publishingi-Perception2041-66952012-12-01310.1068/i0551sas10.1068_i0551sas“Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso IllusionsThomas V. PapathomasMarcel De HeerXiaohua ZhuangTom GraceRobert BunkinWe combine a convex facial mask with a concave torso—or vice versa—thus creating a single rigid object with a transition area at the neck, where convexity changes to concavity. This combination creates stunning illusions when the rigid object is set to motion. The two simplest effects are (1) when the object is rotated about its axis, the head appears to twist with respect to the torso, as in “The Exorcist” film (2) when it is rotated around an axis parallel to the shoulders, the head appears to hinge around the torso. More complex illusory effects result from more complex motions. The involvement of higher-level perceptual processes may account for the illusory effects.https://doi.org/10.1068/i0551sas
spellingShingle Thomas V. Papathomas
Marcel De Heer
Xiaohua Zhuang
Tom Grace
Robert Bunkin
“Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
i-Perception
title “Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
title_full “Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
title_fullStr “Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
title_full_unstemmed “Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
title_short “Exorcist Illusion”: Twisting Necks in the Hollow-Face and Hollow-Torso Illusions
title_sort exorcist illusion twisting necks in the hollow face and hollow torso illusions
url https://doi.org/10.1068/i0551sas
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