Güeros (2014) y Museo (2018): Notas sobre el tiempo neoliberal en la ciudad palimpsesto
This article explores two films by Mexican director Alonso Ruizpalacios that, despite being recent productions, focus their plots on pivotal events in Mexican history. Going back to the year 1999 in Güeros (2014) or to 1985 in Museo (2018), I propose that the exercises of inscription of multiple tem...
Main Author: | Georgina Cebey |
---|---|
Format: | Article |
Language: | English |
Published: |
Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2022-07-01
|
Series: | iMex. México Interdisciplinario/Interdisciplinary Mexico |
Subjects: | |
Online Access: | https://www.imex-revista.com/xxii-gueros-y-museo/ |
Similar Items
-
A Planning Palimpsest: Neoliberal Planning in a Welfare State Tradition
by: Helen Carter, et al.
Published: (2015-06-01) -
A Planning Palimpsest: Neoliberal Planning in a Welfare State Tradition
by: Helen Carter, et al.
Published: (2015-06-01) -
Metamorfoses do cinema brasileiro na
era da mundialização neoliberal: em
busca de uma identidade estética?
by: Jorge Nóvoa
Published: (2006-01-01) -
Un palimpsesto urbano: de la Puerta del Sol al 15-M
by: Nancy Berthier, et al. -
Neoliberalization by Evaluation: Explaining the Making of Neoliberal Evaluative State
by: Diego Giannone
Published: (2016-09-01)