Child’s Play: Beauty for Roman Girls

This paper focuses on the representation of Roman girls in the visual arts of antiquity (portrait sculpture, reliefs on funerary altars, and the painted mummy portraits of Roman Egypt). Most of the portraits are funerary commemorations of maidens who died before their time and were memorialized in t...

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Main Author: Eve D'Ambra
Format: Article
Language:English
Published: University of Oslo Library 2017-12-01
Series:Acta ad Archaeologiam et Artium Historiam Pertinentia
Online Access:https://journals.uio.no/acta/article/view/5753
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author Eve D'Ambra
author_facet Eve D'Ambra
author_sort Eve D'Ambra
collection DOAJ
description This paper focuses on the representation of Roman girls in the visual arts of antiquity (portrait sculpture, reliefs on funerary altars, and the painted mummy portraits of Roman Egypt). Most of the portraits are funerary commemorations of maidens who died before their time and were memorialized in the form of portraits by their parents. Given the circumstances of childhood mortality and the timetable of funerary rituals, it is likely that the artists used conventional types to filter the deceased’s individual looks through standard formats or, better yet, to recast the girl as the woman she would have become by including more grown-up attributes. Finally, the paper turns to youthful ideals of beauty in the form of artifacts of material culture, the dolls with which the girls played at being grown-up.
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spelling doaj.art-a57a73e31ee4416ab26af1f808c0bd902023-09-04T14:47:50ZengUniversity of Oslo LibraryActa ad Archaeologiam et Artium Historiam Pertinentia0065-09002611-36862017-12-01228 N.S.10.5617/acta.5753Child’s Play: Beauty for Roman GirlsEve D'AmbraThis paper focuses on the representation of Roman girls in the visual arts of antiquity (portrait sculpture, reliefs on funerary altars, and the painted mummy portraits of Roman Egypt). Most of the portraits are funerary commemorations of maidens who died before their time and were memorialized in the form of portraits by their parents. Given the circumstances of childhood mortality and the timetable of funerary rituals, it is likely that the artists used conventional types to filter the deceased’s individual looks through standard formats or, better yet, to recast the girl as the woman she would have become by including more grown-up attributes. Finally, the paper turns to youthful ideals of beauty in the form of artifacts of material culture, the dolls with which the girls played at being grown-up.https://journals.uio.no/acta/article/view/5753
spellingShingle Eve D'Ambra
Child’s Play: Beauty for Roman Girls
Acta ad Archaeologiam et Artium Historiam Pertinentia
title Child’s Play: Beauty for Roman Girls
title_full Child’s Play: Beauty for Roman Girls
title_fullStr Child’s Play: Beauty for Roman Girls
title_full_unstemmed Child’s Play: Beauty for Roman Girls
title_short Child’s Play: Beauty for Roman Girls
title_sort child s play beauty for roman girls
url https://journals.uio.no/acta/article/view/5753
work_keys_str_mv AT evedambra childsplaybeautyforromangirls