El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos
At the present time, African literature written in Spanish has reached an increase in the number of readers and researchers in different countries around the world. However, it remains understudied in the academic field of Spanish literary criticism. On the other hand, most of the studies carried ou...
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| Format: | Article |
| Language: | deu |
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Bani-Suef University
2022-06-01
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| Series: | Beni-Suef University International Journal of Humanities and Social Sciences |
| Subjects: | |
| Online Access: | https://buijhs.journals.ekb.eg/article_225567_795eb3db73b7018e64d08d1025aef826.pdf |
| _version_ | 1797894006620815360 |
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| author | Eman Khalifa |
| author_facet | Eman Khalifa |
| author_sort | Eman Khalifa |
| collection | DOAJ |
| description | At the present time, African literature written in Spanish has reached an increase in the number of readers and researchers in different countries around the world. However, it remains understudied in the academic field of Spanish literary criticism. On the other hand, most of the studies carried out on this literature focus on prose, and very few studies analyze poetry or theater. For this reason, it is necessary to explore the status and characteristics of Equatoguinean theatre, represented by one of its most prominent figures, Juan Tomás Ávila Laurel. This article aims to study the ethical lines of the theater in Equatorial Guinea through two of Tomás Ávila's theatrical works: Imperfect Past (1991) and Domestic Men (1993). In his works, the author makes a just fictionalization of the daily reality of his country. Whatever the literary genre and the plot, his works are always charged with social criticism with a thread of irony. |
| first_indexed | 2024-04-10T07:03:03Z |
| format | Article |
| id | doaj.art-a57d0f5c67cf435eb58ef2e6b4a293a2 |
| institution | Directory Open Access Journal |
| issn | 2314-8802 2314-8810 |
| language | deu |
| last_indexed | 2024-04-10T07:03:03Z |
| publishDate | 2022-06-01 |
| publisher | Bani-Suef University |
| record_format | Article |
| series | Beni-Suef University International Journal of Humanities and Social Sciences |
| spelling | doaj.art-a57d0f5c67cf435eb58ef2e6b4a293a22023-02-27T15:34:10ZdeuBani-Suef UniversityBeni-Suef University International Journal of Humanities and Social Sciences2314-88022314-88102022-06-014110913510.21608/buijhs.2022.225567225567El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelosEman Khalifa0Department of Spanish, Faculty of Al-Alsun, Minia UniversityAt the present time, African literature written in Spanish has reached an increase in the number of readers and researchers in different countries around the world. However, it remains understudied in the academic field of Spanish literary criticism. On the other hand, most of the studies carried out on this literature focus on prose, and very few studies analyze poetry or theater. For this reason, it is necessary to explore the status and characteristics of Equatoguinean theatre, represented by one of its most prominent figures, Juan Tomás Ávila Laurel. This article aims to study the ethical lines of the theater in Equatorial Guinea through two of Tomás Ávila's theatrical works: Imperfect Past (1991) and Domestic Men (1993). In his works, the author makes a just fictionalization of the daily reality of his country. Whatever the literary genre and the plot, his works are always charged with social criticism with a thread of irony.https://buijhs.journals.ekb.eg/article_225567_795eb3db73b7018e64d08d1025aef826.pdfjuan tomás ávila laurelequatoguinean theatreimperfect pastdomestic men |
| spellingShingle | Eman Khalifa El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos Beni-Suef University International Journal of Humanities and Social Sciences juan tomás ávila laurel equatoguinean theatre imperfect past domestic men |
| title | El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos |
| title_full | El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos |
| title_fullStr | El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos |
| title_full_unstemmed | El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos |
| title_short | El Compromiso Ético en el Teatro Guineoecuatoriano: Pretérito Imperfecto y Los Hombres Domésticos de Tomás Ávila Laurel como modelos |
| title_sort | el compromiso etico en el teatro guineoecuatoriano preterito imperfecto y los hombres domesticos de tomas avila laurel como modelos |
| topic | juan tomás ávila laurel equatoguinean theatre imperfect past domestic men |
| url | https://buijhs.journals.ekb.eg/article_225567_795eb3db73b7018e64d08d1025aef826.pdf |
| work_keys_str_mv | AT emankhalifa elcompromisoeticoenelteatroguineoecuatorianopreteritoimperfectoyloshombresdomesticosdetomasavilalaurelcomomodelos |