La tradizione del nuovo nel cinema di Ugo Nespolo
On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures assigned by art to itself during the Twentieth Century. On the other hand the “logic of dada”, based on the immediacy of the creation through a gesture of everyday objects presentation. Therefore, by...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2015-04-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/2269 |
| _version_ | 1819265460078641152 |
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| author | Paolo Bertetto |
| author_facet | Paolo Bertetto |
| author_sort | Paolo Bertetto |
| collection | DOAJ |
| description | On the background of Nespolo’s cinema there are on the one hand the new rules and the new structures assigned by art to itself during the Twentieth Century. On the other hand the “logic of dada”, based on the immediacy of the creation through a gesture of everyday objects presentation. Therefore, by exploring the experimental use of camera and of its technical possibilities, what Nespolo does is avant-gardist cinema in two senses: as an elaboration of visual image that represents surrealistic and improbable worlds; as a way to establish linguistic connections with cultural development of society, as shown by his film about Italian artists of Arte Povera. |
| first_indexed | 2024-12-23T20:45:43Z |
| format | Article |
| id | doaj.art-a586bfd79cd3459fb3a3eef3e52e227f |
| institution | Directory Open Access Journal |
| issn | 0035-6212 2421-5864 |
| language | English |
| last_indexed | 2024-12-23T20:45:43Z |
| publishDate | 2015-04-01 |
| publisher | Rosenberg & Sellier |
| record_format | Article |
| series | Rivista di Estetica |
| spelling | doaj.art-a586bfd79cd3459fb3a3eef3e52e227f2022-12-21T17:31:48ZengRosenberg & SellierRivista di Estetica0035-62122421-58642015-04-01374610.4000/estetica.2269La tradizione del nuovo nel cinema di Ugo NespoloPaolo BertettoOn the background of Nespolo’s cinema there are on the one hand the new rules and the new structures assigned by art to itself during the Twentieth Century. On the other hand the “logic of dada”, based on the immediacy of the creation through a gesture of everyday objects presentation. Therefore, by exploring the experimental use of camera and of its technical possibilities, what Nespolo does is avant-gardist cinema in two senses: as an elaboration of visual image that represents surrealistic and improbable worlds; as a way to establish linguistic connections with cultural development of society, as shown by his film about Italian artists of Arte Povera.http://journals.openedition.org/estetica/2269 |
| spellingShingle | Paolo Bertetto La tradizione del nuovo nel cinema di Ugo Nespolo Rivista di Estetica |
| title | La tradizione del nuovo nel cinema di Ugo Nespolo |
| title_full | La tradizione del nuovo nel cinema di Ugo Nespolo |
| title_fullStr | La tradizione del nuovo nel cinema di Ugo Nespolo |
| title_full_unstemmed | La tradizione del nuovo nel cinema di Ugo Nespolo |
| title_short | La tradizione del nuovo nel cinema di Ugo Nespolo |
| title_sort | la tradizione del nuovo nel cinema di ugo nespolo |
| url | http://journals.openedition.org/estetica/2269 |
| work_keys_str_mv | AT paolobertetto latradizionedelnuovonelcinemadiugonespolo |