Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices

New concepts of authoritarian (affective) populisms and right-wing extremisms challenge democratic politics within their strategic critiques of so called multiculturalism, modern cosmopolitanism and democratic liberalism; hence the politics of the New Right use aesthetic practices in an attempt to r...

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Main Author: Sofia Bempeza
Format: Article
Language:deu
Published: Bundesministerium für Bildung, Wissenschaft und Forschung 2020-06-01
Series:Medienimpulse
Subjects:
Online Access:https://journals.univie.ac.at/index.php/mp/article/view/3499
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author Sofia Bempeza
author_facet Sofia Bempeza
author_sort Sofia Bempeza
collection DOAJ
description New concepts of authoritarian (affective) populisms and right-wing extremisms challenge democratic politics within their strategic critiques of so called multiculturalism, modern cosmopolitanism and democratic liberalism; hence the politics of the New Right use aesthetic practices in an attempt to resonate within subcultures but also to reach the cultural mainstream and broader publics (see digital culture wars). The fusion of right-wing (post-truth) politics, subversive tactics and popular cultures is already in progress. Therefore the essay analyses on the one hand non-conforming and transgressive aesthetics within the context of New Right movements active in Europe (example: the Identitarians) and traces their histories (example: Casa Pound). On the other hand it discusses artistic positions that employ methods like subversive affirmation and over-identification and analyses more thoroughly the Viennese feminist group Burschenschaft Hysteria. Considering the popular and/or transgressive aesthetic practices of the New Right (and the Alt-Right) we can critically review artistic and cultural practices, which use appropriation, mimicking, fakes and over-identification as methods to distort sociopolitical phenomena. What are the current (political) possibilities of mimetic and transgressive art/cultural practices? How to avoid post-ironic confinements, nihilistic reactionary trends and the risk of becoming immune or getting neutralized? In what extend those art/cultural practices can advance their cause of complexity and ambivalence so as to go beyond simplistic relativism, post-ironic confinements and nihilistic reactionary trends?
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spelling doaj.art-a5eb3d6945dd41f682cac2f9802d55852022-12-21T21:21:11ZdeuBundesministerium für Bildung, Wissenschaft und ForschungMedienimpulse2307-31872020-06-01580210.21243/mi-02-20-14Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practicesSofia BempezaNew concepts of authoritarian (affective) populisms and right-wing extremisms challenge democratic politics within their strategic critiques of so called multiculturalism, modern cosmopolitanism and democratic liberalism; hence the politics of the New Right use aesthetic practices in an attempt to resonate within subcultures but also to reach the cultural mainstream and broader publics (see digital culture wars). The fusion of right-wing (post-truth) politics, subversive tactics and popular cultures is already in progress. Therefore the essay analyses on the one hand non-conforming and transgressive aesthetics within the context of New Right movements active in Europe (example: the Identitarians) and traces their histories (example: Casa Pound). On the other hand it discusses artistic positions that employ methods like subversive affirmation and over-identification and analyses more thoroughly the Viennese feminist group Burschenschaft Hysteria. Considering the popular and/or transgressive aesthetic practices of the New Right (and the Alt-Right) we can critically review artistic and cultural practices, which use appropriation, mimicking, fakes and over-identification as methods to distort sociopolitical phenomena. What are the current (political) possibilities of mimetic and transgressive art/cultural practices? How to avoid post-ironic confinements, nihilistic reactionary trends and the risk of becoming immune or getting neutralized? In what extend those art/cultural practices can advance their cause of complexity and ambivalence so as to go beyond simplistic relativism, post-ironic confinements and nihilistic reactionary trends?https://journals.univie.ac.at/index.php/mp/article/view/3499Aesthetic PracticesPost-TruthNew RightSubversionFakeCritical Art
spellingShingle Sofia Bempeza
Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
Medienimpulse
Aesthetic Practices
Post-Truth
New Right
Subversion
Fake
Critical Art
title Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
title_full Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
title_fullStr Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
title_full_unstemmed Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
title_short Aesthetic Practices of the New Right – Fake and Post-Truth as a challenge for transgressive art and cultural practices
title_sort aesthetic practices of the new right fake and post truth as a challenge for transgressive art and cultural practices
topic Aesthetic Practices
Post-Truth
New Right
Subversion
Fake
Critical Art
url https://journals.univie.ac.at/index.php/mp/article/view/3499
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