The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae

It is not scientific ingenuity that discovers Nature, but on the contrary it is the changing Nature that makes scientific research possible. And this is the way in which we are disposing of objects bringing us to some sacred significance. In order to analyze the posthuman condition in a novel way, i...

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Main Author: Neli Dobreva
Format: Article
Language:English
Published: The University of Akureyri 2020-11-01
Series:Nordicum-Mediterraneum
Subjects:
Online Access:http://nome.unak.is/wordpress/volume-14-no-3-2020/conference-proceedings-volume-14-no-3-2019/the-nature-cultu…uralis-historiae/ ‎
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author Neli Dobreva
author_facet Neli Dobreva
author_sort Neli Dobreva
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description It is not scientific ingenuity that discovers Nature, but on the contrary it is the changing Nature that makes scientific research possible. And this is the way in which we are disposing of objects bringing us to some sacred significance. In order to analyze the posthuman condition in a novel way, i.e., by way of research methodology, it would be desirable to approach artistic images such as Julier's through the recent scholarship of Durafour and his idea of “econology”: images as “beings-in-between”, making the link between human and non-human nature. I hope to demonstrate how we, from our human position, should face and reconnect the inhuman part of images.
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spelling doaj.art-a61f41017f7f42c7bbfee01a74c7ad162024-02-02T01:56:13ZengThe University of AkureyriNordicum-Mediterraneum1670-62421670-62422020-11-01153A6The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis HistoriaeNeli Dobreva It is not scientific ingenuity that discovers Nature, but on the contrary it is the changing Nature that makes scientific research possible. And this is the way in which we are disposing of objects bringing us to some sacred significance. In order to analyze the posthuman condition in a novel way, i.e., by way of research methodology, it would be desirable to approach artistic images such as Julier's through the recent scholarship of Durafour and his idea of “econology”: images as “beings-in-between”, making the link between human and non-human nature. I hope to demonstrate how we, from our human position, should face and reconnect the inhuman part of images.http://nome.unak.is/wordpress/volume-14-no-3-2020/conference-proceedings-volume-14-no-3-2019/the-nature-cultu…uralis-historiae/ ‎artdurafourjulieraestheticsnaturephenomenology
spellingShingle Neli Dobreva
The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
Nordicum-Mediterraneum
art
durafour
julier
aesthetics
nature
phenomenology
title The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
title_full The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
title_fullStr The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
title_full_unstemmed The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
title_short The Nature-culture continuum through moving images: from Pauline Julier’s Vegetable Pompeii to Pliny the Elder’s Naturalis Historiae
title_sort nature culture continuum through moving images from pauline julier s vegetable pompeii to pliny the elder s naturalis historiae
topic art
durafour
julier
aesthetics
nature
phenomenology
url http://nome.unak.is/wordpress/volume-14-no-3-2020/conference-proceedings-volume-14-no-3-2019/the-nature-cultu…uralis-historiae/ ‎
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AT nelidobreva natureculturecontinuumthroughmovingimagesfrompaulinejuliersvegetablepompeiitoplinytheeldersnaturalishistoriae