The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press
Pest-Buda already had two permanent ensembles during the 1830s - the Táborszky and the Szervacinszky quartets; in the 1850s, ambitious programs, explicitly labeled as "quartet concerts," were performed by the short-lived Ridley-Kohne quartet. However, it was only in 1876, that the first Bu...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | ces |
| Published: |
Palacký University Olomouc
2023-07-01
|
| Series: | Musicologica Olomucensia |
| Subjects: | |
| Online Access: | https://musicologica.upol.cz/artkey/mus-202301-0004_the-inter-nationality-of-late-nineteenth-century-budapest-quartets-and-their-not-entirely-prejudice-free-recept.php |
| _version_ | 1797633889280196608 |
|---|---|
| author | Zsolt Vizinger |
| author_facet | Zsolt Vizinger |
| author_sort | Zsolt Vizinger |
| collection | DOAJ |
| description | Pest-Buda already had two permanent ensembles during the 1830s - the Táborszky and the Szervacinszky quartets; in the 1850s, ambitious programs, explicitly labeled as "quartet concerts," were performed by the short-lived Ridley-Kohne quartet. However, it was only in 1876, that the first Budapest-based quartet was founded that remained stable for the years to come. Although this ensemble, which was led by Dragomir Krančević and disposed of an excellent playing technique, was referred to in the press as the "Budapest quartet," only the second violinist was of Hungarian origin and native of Pest. The case of the Hubay-Popper quartet - established ten years later, in 1886 - was quite similar: of its members, Jenő Hubay was only the one to be born and having studied in this city. In this paper, I will present the press reception of the two latter quartets, focusing on the following issues: How did a biased discourse emerge in the Hungarian press that made a clear distinction between the "German" and the "other" (e. g., French or Hungarian) manners of playing? What was the role played by the performers' national origin, the influence of their teachers and of the schools they attended? How did the press reviews treat these aspects? How did the repertoire of these quartets evolve during this period, and was there any connection with the prejudices suggested by the press? |
| first_indexed | 2024-03-11T11:59:56Z |
| format | Article |
| id | doaj.art-a6540baede8140bf9e9a2436bbcac23e |
| institution | Directory Open Access Journal |
| issn | 2787-9186 2787-9194 |
| language | ces |
| last_indexed | 2024-03-11T11:59:56Z |
| publishDate | 2023-07-01 |
| publisher | Palacký University Olomouc |
| record_format | Article |
| series | Musicologica Olomucensia |
| spelling | doaj.art-a6540baede8140bf9e9a2436bbcac23e2023-11-08T08:08:00ZcesPalacký University OlomoucMusicologica Olomucensia2787-91862787-91942023-07-0135vol. 35(1)627210.5507/mo.2023.005mus-202301-0004The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the PressZsolt Vizinger0Institute for Musicology, RCH, Department for Hungarian Music HistoryPest-Buda already had two permanent ensembles during the 1830s - the Táborszky and the Szervacinszky quartets; in the 1850s, ambitious programs, explicitly labeled as "quartet concerts," were performed by the short-lived Ridley-Kohne quartet. However, it was only in 1876, that the first Budapest-based quartet was founded that remained stable for the years to come. Although this ensemble, which was led by Dragomir Krančević and disposed of an excellent playing technique, was referred to in the press as the "Budapest quartet," only the second violinist was of Hungarian origin and native of Pest. The case of the Hubay-Popper quartet - established ten years later, in 1886 - was quite similar: of its members, Jenő Hubay was only the one to be born and having studied in this city. In this paper, I will present the press reception of the two latter quartets, focusing on the following issues: How did a biased discourse emerge in the Hungarian press that made a clear distinction between the "German" and the "other" (e. g., French or Hungarian) manners of playing? What was the role played by the performers' national origin, the influence of their teachers and of the schools they attended? How did the press reviews treat these aspects? How did the repertoire of these quartets evolve during this period, and was there any connection with the prejudices suggested by the press?https://musicologica.upol.cz/artkey/mus-202301-0004_the-inter-nationality-of-late-nineteenth-century-budapest-quartets-and-their-not-entirely-prejudice-free-recept.phpbudapeststring quartetreceptionreviewsdragomir krančevićjenő hubay |
| spellingShingle | Zsolt Vizinger The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press Musicologica Olomucensia budapest string quartet reception reviews dragomir krančević jenő hubay |
| title | The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press |
| title_full | The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press |
| title_fullStr | The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press |
| title_full_unstemmed | The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press |
| title_short | The Inter-nationality of Late Nineteenth-Century Budapest Quartets and Their not Entirely Prejudice-free Reception in the Press |
| title_sort | inter nationality of late nineteenth century budapest quartets and their not entirely prejudice free reception in the press |
| topic | budapest string quartet reception reviews dragomir krančević jenő hubay |
| url | https://musicologica.upol.cz/artkey/mus-202301-0004_the-inter-nationality-of-late-nineteenth-century-budapest-quartets-and-their-not-entirely-prejudice-free-recept.php |
| work_keys_str_mv | AT zsoltvizinger theinternationalityoflatenineteenthcenturybudapestquartetsandtheirnotentirelyprejudicefreereceptioninthepress AT zsoltvizinger internationalityoflatenineteenthcenturybudapestquartetsandtheirnotentirelyprejudicefreereceptioninthepress |